Viktoria Tereshkina

The classic Mariinsky (Kirov) production of the greatest of all ballets. Filmed in the imperial splendor of the Mariinsky Theatre, St Petersburg. Starring Ulyana Lopatkina, Danila Korsuntsev and the breathtaking Mariinsky corps de ballet. Conducted by the great Russian maestro Valery Gergiev.

A truly remarkable New Year’s Eve in St Petersburg’s fabled Mariinsky Theatre, with Valery Gergiev and the Mariinsky (ex-Kirov) Ballet. It was at the Mariinsky Theatre in St Petersburg that the ballet The Sleeping Beauty premiered in 1890, with a score by Tchaikovsky and choreography by Marius Petipa. This New Year’s Eve programme revolves around Act III, in which Princess Aurora is brought out of her long sleep by the prince of her dreams and marries him. In addition, prima ballerina Uliana Lopatkina dances Camille Saint-Saëns’ famous Dying Swan, first performed by Anna Pavlova. In conclusion the soloists of the Mariinsky Theatre’s Young Singers’ Academy perform the finale of Rossini’s Journey to Rheims in a joyous celebration of the coming of the New Year.

Here there is a ballet and detective plot including dreams, kidnappings and joyous releases, a complex and varied ballerina role and a conflict between the male roles – the refined and classical Jean de Brienne and the passionate and pointedly typical oriental Abderakhman, the vast number of characters, meaning a similar number of dancers engaged in the ballet, the colourful character dances and, arguably, Petipa's main pride and glory – the fully-developed dance scenes of classical ensembles.

The Mariinsky Theatre’s La Bayadère was filmed live at the annual Stars of the White Nights Festival in St. Petersburg and is an unmissable cinema event for ballet fans.

Despite its name, the ballet is not an adaptation of Miguel de Cervantes’ novel. Only one episode of the ingenious hidalgo’s many adventures serves as the basis for the story and the dancing scenes. It is a story about the failed wedding of the wealthy Camacho (Gamache in the ballet) to the fair Quiteria (Kitri in the ballet), who is also the object of affections of the villager Basil (Basilio).

The bored Shahriyar is being entertained by odalisques and his favourite wife Zobeide. At the advice of his younger brother Shahzeman, who is convinced of Zobeide’s unfaithfulness, Shahriyar departs to go hunting. An orgy begins in the harem, and when it is at its height the Sultan returns unexpectedly. He orders his concubines, eunuchs and slaves be killed. Zobeide prays to him to spare her life, but, not receiving Shahriyar’s consent, kills herself.

This fantasy ballet is based on Pushkin’s poem The Bronze Horseman and invites the audience to see the characters through the eyes of the poet, whose pen inexorably controls their fates.