Chema Ponze

After being bitten by a radioactive spider, Peter Parker uses his new powers to locate and catch the killer of his beloved Uncle Ben. First of the three short films made by "The Trauma Group" (Naxo Fiol, Chema Ponze, Gabi Tintorer) on the Marvel character between 1993 and 1996. This is the first film made in Spain, shot without more budget than the spent in the costume of the hero (60,000 pesetas of 1993) and shot with a video-8 camera of the time, so the image and the sound, together with the passage of time make the quality of both very poor. Halfway between the experimental, psychotronic cinema and avant-garde cinema, it´s a very extravagant version of the character, softened in the second incursion of the Trauma Group in the character: "Peter Parker is Spider-Man" (1996), closer than this to the original comic.

Second of the three short films that the Trauma Group shot about the Marvel hero. More faithful to the original spirit of the comic than the first Spider-man they shot in 1993, this short replaces the experimental style of the first with more humor and drops of terror. Filmed with very little budget, much of it went to make the hero's black alien costume and a life-size replica of Venom's head.

After being bitten by a radioactive spider, Peter Parker uses his new powers to locate and catch the killer of his beloved Uncle Ben. First of the three short films made by "The Trauma Group" (Naxo Fiol, Chema Ponze, Gabi Tintorer) on the Marvel character between 1993 and 1996. This is the first film made in Spain, shot without more budget than the spent in the costume of the hero (60,000 pesetas of 1993) and shot with a video-8 camera of the time, so the image and the sound, together with the passage of time make the quality of both very poor. Halfway between the experimental, psychotronic cinema and avant-garde cinema, it´s a very extravagant version of the character, softened in the second incursion of the Trauma Group in the character: "Peter Parker is Spider-Man" (1996), closer than this to the original comic.

Second of the three short films that the Trauma Group shot about the Marvel hero. More faithful to the original spirit of the comic than the first Spider-man they shot in 1993, this short replaces the experimental style of the first with more humor and drops of terror. Filmed with very little budget, much of it went to make the hero's black alien costume and a life-size replica of Venom's head.

Second of the three short films that the Trauma Group shot about the Marvel hero. More faithful to the original spirit of the comic than the first Spider-man they shot in 1993, this short replaces the experimental style of the first with more humor and drops of terror. Filmed with very little budget, much of it went to make the hero's black alien costume and a life-size replica of Venom's head.

After being bitten by a radioactive spider, Peter Parker uses his new powers to locate and catch the killer of his beloved Uncle Ben. First of the three short films made by "The Trauma Group" (Naxo Fiol, Chema Ponze, Gabi Tintorer) on the Marvel character between 1993 and 1996. This is the first film made in Spain, shot without more budget than the spent in the costume of the hero (60,000 pesetas of 1993) and shot with a video-8 camera of the time, so the image and the sound, together with the passage of time make the quality of both very poor. Halfway between the experimental, psychotronic cinema and avant-garde cinema, it´s a very extravagant version of the character, softened in the second incursion of the Trauma Group in the character: "Peter Parker is Spider-Man" (1996), closer than this to the original comic.

Second of the three short films that the Trauma Group shot about the Marvel hero. More faithful to the original spirit of the comic than the first Spider-man they shot in 1993, this short replaces the experimental style of the first with more humor and drops of terror. Filmed with very little budget, much of it went to make the hero's black alien costume and a life-size replica of Venom's head.

This is the story of Iris, a ballet dancer who is driven to start the search for Otis, an old friend she hasn't seen in years. Her investigations take her to a psychiatric hospital where Otis has been hospitalized for the past ten years. Once there, the people in charge of the center warn him that his friend has developed a mysterious alternative personality, which however they have managed to block thanks to drugs.