Violeta Kreimer

People est un film tourné en huis clos dans une maison atelier aux portes de Paris et met en scène une dizaine de personnages. Il repose sur un entrelacs de scènes de plaintes et de scènes de sexe. La maison est leur espace commun, mais la question de la propriété est distendue, ils ne l’habitent pas tous de la même façon. Au fur et mesure des séquences, nous ne retrouvons pas les mêmes personnages mais les mêmes relations d’interdépendance. Par l’alternance entre complainte et sexualité, communication physique et verbale sont mises au même niveau. Le film déconstruit alors, par sa structure répétitive, nos mythes relationnels.

Four young people, Bastien, Théo, Jeanne, and Han, meet in a Chinese restaurant. Jeanne talks a lot, especially about herself. Han, a young Chinese immigrant, is still looking for a place to sleep, but doesn't let on. The two boys size each other up and observe the girls.

"1998" arises from the diary written by a thirteen-and-half-year-old girl for her best friend, another girl, during the summor of 1998. The film visits the house, garden, and setting where the diary was written and where the female narrator spent her all her summer vacations until 2018. A text, a voice, a setting where we follow the tale of a summer and the intensity of the relationship with her best and adored friend.

"1998" arises from the diary written by a thirteen-and-half-year-old girl for her best friend, another girl, during the summor of 1998. The film visits the house, garden, and setting where the diary was written and where the female narrator spent her all her summer vacations until 2018. A text, a voice, a setting where we follow the tale of a summer and the intensity of the relationship with her best and adored friend.