Fernando Miró

During the Argentine dictatorship of the eighties, two gravediggers are in charge of burying all the N.N. that arrive at the cemetery. One afternoon they bring the corpse of a beautiful girl whom they both fall in love with. That rainy night will be the excuse for a reflection in candle on the friendship, the old age and the bitter beauty.

A young girl receives the visit of a man who affirms he is “the death”. While pointing her with a gun, he proposes her a condition for the one he would forgive her life: that she give him a reason for the one she must keep living.

Natalia "La Gorda" López hires two women to fetch a body that contains the kidneys that would save her estranged brother's life. Everything goes wrong.

Dans l’Argentine des années 1980, un clan machiavélique auteur de kidnappings et de meurtres vit sous l’apparence d’une famille ordinaire dans un quartier tranquille de Buenos Aires. Le clan est mené d’une main de fer par Arquimedes, le patriarche. Il contraint Alejandro, son fils aîné, une star du rugby évoluant dans la mythique équipe nationale, Los Pumas, ainsi protégé de tous soupçons par sa popularité, à lui fournir des candidats au kidnapping.

Facu and his uncle, distant from each other, sail to Facu’s late father’s house, who died in a confusing incident with the coast guard during an environmental protest. As they enter the cold, swampy island forest, two coast guards watch them, making the uncle uneasy, while Facu dismisses his father’s fate. They confront each other, deepening the pain of absence, driving Facu to enter his father’s house. The coast guards approach the uncle, and Facu escapes into the forest but one guard follows him, drawing his weapon. Facu’s only option is to jump into the river, realizing underwater that to save his uncle he must reconnect with his father.