Sara Becker

Au tournant des années 70, dans un village minier du désert d’Atacama, au Chili, Medardo, María Magnolia et leurs quatre enfants se passionnent pour le cinéma. Mais lorsque le père est accidenté à la mine, l’argent se fait aussi rare que les séances de cinéma. Jusqu’au jour où Medardo décide que chacun de ses enfants ira voir un film et le racontera en rentrant à la maison. À ce jeu-là, c’est la cadette qui est la meilleure. María Margarita deviendra la raconteuse de films de sa famille et très vite celle de son village. Jusqu’à ce que des événements personnels, mais aussi historiques, viennent modifier le cours de sa vie et du pays.

Chile, 1983. Gladys is a brave young woman who lives in La Victoria, a marginal neighborhood of Santiago with her mother and daughter during the Pinochet dictatorship. One day they receive a young missionary, Samuel Thompson, who, with his camera, records how the population lives in such an adverse scenario.

As a strange disease spreads across a polluted coastal area, a young forensic cleaner looks after her sick sister.

Lucía (16) reunites with her sister Ema (17) after years apart. A journey through their rural birthplace brings present and past together, leading them to a difficult truth.

After the death of a teenager in a children's shelter house, a lawyer discovers endless irregularities, errors and horrors within the institution that will shake political power.

The disappearance of dozens of teenage girls shakes Alto Hospicio community in northern Chile. The official version speaks of runaways from broken homes and an underworld of traffic, but the case hides a horror perhaps even worse: A murderer that remains unpunished unable to stop his impulses.

Daily stories of real crimes from Chile and Latin America.

Fátima is unfairly accused of a murder and she spends 10 years in jail away from her family, crying out for justice. A decade later and now a free woman she seeks out to recover the time lost and exact vengance to whoever framed her.