Alejo Vintrob

In Buenos Aires, during the 90s, the Pequeña Orquesta Reincidentes (Reincidents Small Orchestra) emerged. Through an 18-year career and 7 released albums, the group built a particular style of rock, appropriating distant sounds to achieve an absolute River Plate identification. ¿Qué sois ahora? try to leave testimony of that journey; of its political and cultural coordinates, of the relationships and the work traversed by the passage of time.

“R.J.W.” are the initials of Rodolfo Jorge Walsh. The documentary builds a parallelism between life and work, accounting for the self-referential component in his writing, from his childhood to “Operación Masacre”.

Juan has a normal life: a good job, he is married, he is expecting his first child and he wants to move to a bigger house. One day he discovers, by chance, that his identity is not what he thought.

When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.

The most transcendent and controversial event since the invention of the seventh art: the disappearance of photographic film. What for many people seems to be simply the result of technological evolution, brings with it paradoxes and contradictions that endanger photographic film heritage and accelerate its deterioration.