Mathieu Haessler

Joe isn’t hard to please; fries swamped in ketchup, a fresh pint and his mates is all he needs to be happy. But he’s also got one peculiar passion… Ever since the Belgian wave of UFO observations in the 80’s, Joe has been obsessed and convinced that aliens have infiltrated every layer of society. So, as the self-professed Messiah, he’s taken it upon himself to kill off every last one of these little green men. The only problem is, they aren’t exactly green and nobody takes him seriously. But that is about to change, once a film crew meticulously documents his mission. The crew in question incredulously accepts his offer, hoping for some X-FILES slapstick while Joe himself is leaning more towards BOWLING FOR COLUMBINE. Literally, seeing as he’s taken up the bad habit of slaying anything that moves. A hooker here, a junkie there.

In a world where everyone is watched, where freedoms are increasingly reduced, Benoît and Rosalie are going to have their best day ever.

Through a patient observation, this film takes us into the underworld of Bolivian miners, specifically the ancestral Cerro Rico mine.

Goujons 59/63 is a chronicle of life and cohabitation in a social housingblock, in the company of people attached to where they live, social workers that attempt to plug the gaps and of the concierge, a central figure of this world to which he holds all the keys.

Goujons 59/63 is a chronicle of life and cohabitation in a social housingblock, in the company of people attached to where they live, social workers that attempt to plug the gaps and of the concierge, a central figure of this world to which he holds all the keys.

Goujons 59/63 is a chronicle of life and cohabitation in a social housingblock, in the company of people attached to where they live, social workers that attempt to plug the gaps and of the concierge, a central figure of this world to which he holds all the keys.

Goujons 59/63 is a chronicle of life and cohabitation in a social housingblock, in the company of people attached to where they live, social workers that attempt to plug the gaps and of the concierge, a central figure of this world to which he holds all the keys.