Graciela Goldchluk

A bitter postcard of the town of the Buenos Aires countryside that Argentinean writer Manuel Puig (1932-90) portrayed with singular mastery, based on his own land, a town named General Villegas. Its inhabitants never forgave him. However, a woman, owner of a painful and enigmatic past, will build a bridge between Coronel Vallejos, the town created by Puig, and the real General Villegas, trying to reconcile the place with the writer.

The Argentine competition winner, Gonzalo Castro’s Invernadero (Winter House), offers a stylistically elegant if overlong contemplation of the experimental one-armed Mexican novelist Mario Bellatín, a famed prankster who here engages with his daughter and friends (all fictional characters) in an interrogation of biography (itself a central conceit in Bellatín’s fiction).