Daniel Veiga

Father Julio Lancellotti tells the story of Marino, a transmasculine person who lived in the sixth century, in Lebanon, and who, after his death, was canonized as Santa Marina, considered, by progressive sectors of the Catholic church, the protector of gender identity. With scenes, reflections and interactions of a transmasculine group, the film promotes sensitive contemporary discussions about, for example, respect for the social name, resignifying Santa Marina into São Marino.

While Sergio Toledo's film Vera is widely recognized as pioneering for its portrait of a young transgender man struggling to find their place in Brazilian society, its narrative and lead performance by Ana Beatriz Nogueira are perhaps open to scrutiny in the year 2021. In this new video piece, Julia Katharine invites her good friends Claudia Campolina & Daniel Veiga, both of whom are active in the Brazilian film industry and cinephiles in their own right, for a discussion about how the film should be newly received today.

While Amanda and Caio, a transgender couple, try to create a home together, they face professional problems, differences of opinion, and external pressures, depicting a journey of love, commitment, and personal discoveries. In this new chapter of their lives, they discover that the plans they made together may no longer make sense.

Luan works as an application bikeboy and faces dilemmas and prejudices in his daily delivery journey in a big city. Without hesitating, he dreams of a better future.

Les frères et sœurs Ana, Sofia et Beto tentent de dépasser les relations conventionnelles, comme le mariage de 30 ans de leurs parents, qui vient de se terminer brutalement.