Dragan Sučić

In 1928 young Communist activist was arrested and put on trial for anti-state activity. Years later he became known as Tito, Communist president of Yugoslavia, and this TV-movie was made for the 50th anniversary of those events.

The film was created based on the stories of Marino Zurl, head of humanitarian action of the weekly Arena newspapers, who from 1963 to 1971 was looking for the next of kin of children separated from their parents during World War II and taken to camps and shelters. Many of them later grew up in orphanages or foster families, like the three main characters of this film, Ana (Biserka Ipša), Nenad (Mustafa Nadarević) and Toma (Božidar Orešković). Each of them relates in a different way to the past and the possibility that, as young accomplished adults, they can finally solve the secret of their identity and meet members of their real families.

A projection of the situation in monarchist Yugoslavia after the infamous Proclamation and the Law on the Protection of the State, when repression and police violence stifled any progressive idea. Inspired by some literary works of Miroslav Krleza.

During a summer holiday, two boys discover an anti-gravity cannon in an old attic.

It’s the winter of 1942. A freight train on the section of the Slavonian railway Vinkovci-Nova Gradiska is under a special Gestapo escort. Fleeing misfortune and evil brought by war, the last wagon is the place of encounter of politicians, war smugglers, deserters and tamburitza players.

In this intriguing, bittersweet picture of the factory atmosphere from the era of socialist self-management, we follow the story of the factory porter Djuro who, unlike his colleagues, has been unable to get an apartment within “social ownership” for years.