Beau Dixon

A camera breaks and four friends drink, in interwoven narratives spanning seven centuries: a warped fairy tale about two sisters, a treehouse astronomer and a lazy evil bear; a retelling of Poe’s The Fall of the House of Usher; a purgatorial intermezzo about Scheherazade; and a contemporary fable about a subway murder.

Deux siècles dans le futur : une femme disparue, un policier de la ceinture d'astéroïdes, le commandant d'un vaisseau cargo et une diplomate tentent d'éviter la guerre.

Les survivants d'une pandémie de grippe dévastatrice tentent de reconstruire leur vie après avoir tout perdu.

Save Me drops us into random lives, mid-sentence. We get to know people through storylines that unravel with humour and pathos and a built-in ticking time bomb - that one of them at some point will be blindsided by a medical emergency. And all of it is rooted in the on-going stories of our regular cast of EMTs who come to the rescue.