Yerbolat Alkozha

La face cachée du quotidien d'une d'influenceuse, où la brutalité règne depuis des années au sein de son foyer.

The story of two brothers who, after the death of their father, begin to hunt for robberies. They are noticed by an athletics coach who came from the city to the village to select talented youth. The brothers face difficult trials, and a tragic incident changes their lives. One of them will have to defeat the world champion in the marathon.

Ex-con Kermek and his beloved Eva want to leave their crime-infested lives on the Kazakh steppes behind. He has a dream: building a movie theater in the mountains. Will Kermek's love of Alain Delon be strong enough to keep them out of the violent clutches of the mafia?

The Kazakh village Karatas has long been subjugated by a criminal boss called Poshaev. He provides housing and jobs for the locals but will ruthlessly execute anyone who dares to oppose him. This is the lesson the pauper Arzu is about to learn first-hand—his wife Karina has informed the police about the crimes that are taking place there. Arzu is a cripple; now he must raise his little daughter alone. He is so helpless and grief-stricken that he doesn’t even seem to be contemplating revenge. Poshaev takes him under his wing and offers him the position of a guard at a building site. Soon Arzu has a chance to prove his loyalty, and he becomes Poshaev’s right hand. But where do Arzu’s real loyalties lie—with his boss or with the idea of justice?

In the mid-1920s, Salimsak, an ordinary Kazakh from the steppe, was disliked by his wife for degrading the family by playing the female role in a play against polygamy. He unintentionally uttered the word "Talaq" during an argument, and according to local religious tradition, if a husband says "Talaq" to his wife three times in a row, it means he is divorced. While Salimsak, who has never thought of leaving his wife, prays for a solution, his wife, under the influence of the popular slogan of "women's liberation", is thinking of divorce. ......... The collapse of Salimsak's small traditional family in the current of the times is a metaphor for the collapse of director Daniyah's family. The metaphor of the collapse epitomizes the core of the films of the director Daniyar Salamat, who has been writing in Kazakh since his debut and believes that cinema has a great significance in social education, and that the spirit of the nation cannot be restored without the progress of cinema.

In a remote Kyrgyz village, 35-year-old Adil, who has the mind of an 8-year-old, lives with his elderly mother, Rayhan. She has always told him he is specially loved by God and destined for Paradise. But Adil refuses to go without her. Upon hearing from his young friend that a pilgrimage to Mecca on foot could secure his mother a place in Paradise too, Adil decides to embark on this journey. Paradise at Mothers' Feet explores a mother's love, human kindness across cultures, and the shared spirit that transcends hardship.

Life in Karatas Village runs along an untroubled path, until its patriarchal way of life is challenged by Ulbolsyn, a woman whose coldblooded heart and blazing temperament are not afraid of setting everything on fire.

A talented actor of the Daryn theater, brilliantly playing the role of a woman. But no matter how strong an actor is, he has a lot of problems in his backstage life.