Kira Bradley

New veterinary school graduate Dr. Andrew McDonald encounters many challanges on his first day as an intern at a rural but busy veterinary hospital. Along with the beasts, there is legendary chief veterinarian Dr. Cyrus Gachet, the cynical senior surgeon Dr. Kyle Southern, and a pretty young vet Dr. Emma Matthews. There is a ferret, a wounded cat, a St. Bernard dog, two horses, a deer and a fire to endure.

Après la perte de leur fils, le shérif à la retraite George Blackledge et son épouse, Margaret, quittent leur ranch du Montana pour sauver leur jeune petit-fils des griffes d'une dangereuse famille, tenue d'une main de fer par la matriarche, Blanche Weboy. Quand ils découvrent que les Weboy n'ont pas l'intention de laisser partir l'enfant, George et Margaret n'ont pas d'autre choix que de se battre pour réunir enfin leur famille.

Une femme, au casier judiciaire bien rempli, en cavale avec sa fille, cherche à se construire une nouvelle vie.

In Jann, Jann Arden plays a fictionalized, self-deprecating version of herself: a singer songwriter of a “certain age” in severe denial of the harsh reality that her former music career is slowly (okay rapidly) fading away. But it’s not just Jann’s career that’s on life support – she’s newly single (don’t remind her), her sister may disown her, and her mother may be showing early signs of memory loss. Jann's personal life is in shambles and she's convinced that the cure-all is to enlist a new manager to help rebrand her image. Filled with plenty of LOL moments, she embarks on a quest to return to greatness and go viral, but instead gets tangled in the pressures of her ‘real’ life. Jann is at the crossroads between who she was and who she wants to be. Can Jann stage a comeback, reclaim fame…and be there for the people who love her?