Max Magnum

Before the French Revolution came along and spoiled their fun, the rich aristocrats spent most of their time indulging in the pleasures of the flesh - on a grand scale. Huge banquets would be laid out for the so-called “ladies and gentlemen” of the court- with the main course being an orgy of unbridled debauchery. Shot entirely on film by Europe’s acclaimed director Joe D’Amato, 120 Days of Sodom is a lavish period production that lives up to its portrayal of the “beautiful people” and their pursuit of pleasure in every possible form. Shot on location in Europe with an all-star cast from America and abroad, this beautiful, sensual, and provocative film celebrates the art of making love - with a decidedly kinky twist.

Romeo and Juliette, the rebellious children of two feuding noble medieval Italian families, fall for each other. Their two lusty maids get to see a lot of action as well. And the ending may surprise even Shakespeare himself.

Blue-collar painters Kris Anthony and Park Wiley take a break from painting a restroom in order to work on each others muscles, cocks, and assholes, leaving behind a thick coat of whitewash. The action is rugged as Kris tears off Park`s overalls and gives him a thorough ass-licking before fucking his hole every which way, wearing only work boots. The guys become increasingly covered in white paint as their rugged ass grinding knocks over paint buckets from a nearby ladder. The tour de force is watching Kris sit on the nasty bathroom toilet as Park bounces up and down on his thick cock like a Pogo-stick. Talk about painting the town pink.