Svetlana Bulynenkova

En 1907, à Saint-Pétersbourg, la jeune et insouciante Natalia se laisse vivre entre son beau petit garçon, son riche mari, peu contrariant sur le chapitre de ses nombreux amants, et la ronde de ses soupirants. Sur le marché aux oiseaux des bords de la Néva, Natalia fait la connaissance d'un mystérieux inconnu. Sa vie n'en continue pas moins, frivole, inconsistante. Même l'assassinat de son mari ne suffit pas à émouvoir la belle assoupie. Ses deux amants du moment se disputent sa possession. Elle les éconduit, préfère revoir l'inconnu et s'étonner de la froideur de ses manières. Cet homme qui ne la désire pas l'intrigue et, peut-être, pourra-t-il lui donner enfin conscience d'elle-même...

With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.

Mefody, a wise master, comes to a weird village one day to teach local men wisdom and life. The strange thing about the village is all the men living there are of different nationalities: German, Jewish, Ukrainian, Russian, Uzbek, Gypsy etc.. Mefodi teaches all them the way to understand each other, he speaks about music, cabala, fairy tales, sex etc. Finally all of them become even more friendly to each other and find success in life.