Catherine Jordan

A mystery surrounds a small town that was attacked on September 9, 2009. Now sixty years later, the last survivor, Sarah, sends a high profile reporter a letter suggesting what really happened on that day. The government calls 9/9/09 the start of the "Modern Plague", and the reporter soon realizes that the truth may be harder to uncover than the lies.

A mystery surrounds a small town that was attacked on September 9, 2009. Now sixty years later, the last survivor, Sarah, sends a high profile reporter a letter suggesting what really happened on that day. The government calls 9/9/09 the start of the "Modern Plague", and the reporter soon realizes that the truth may be harder to uncover than the lies.

A mystery surrounds a small town that was attacked on September 9, 2009. Now sixty years later, the last survivor, Sarah, sends a high profile reporter a letter suggesting what really happened on that day. The government calls 9/9/09 the start of the "Modern Plague", and the reporter soon realizes that the truth may be harder to uncover than the lies.

The documentary exposes the ways in which America's foreign policy agenda in the Middle East drives the U.S. media's portrayals of Arabs and Muslims. The film lays bare the truths behind taboo subjects that are conspicuously avoided, or merely treated as sound bites, by the mainstream American media: "Why do they hate us?" "Why do we hate them?" What were the events that led to the 9/11 attacks? What are the politics behind the U.S.-Israeli relationship? Why is there a robust debate about these subjects in Europe, the Arab World and in Israel itself, but not in the U.S.? Valentino's Ghost provides a fresh inquiry which challenges the media's daily barrage of rhetoric and misinformation about our complex and vital relationship with this part of the world

The documentary exposes the ways in which America's foreign policy agenda in the Middle East drives the U.S. media's portrayals of Arabs and Muslims. The film lays bare the truths behind taboo subjects that are conspicuously avoided, or merely treated as sound bites, by the mainstream American media: "Why do they hate us?" "Why do we hate them?" What were the events that led to the 9/11 attacks? What are the politics behind the U.S.-Israeli relationship? Why is there a robust debate about these subjects in Europe, the Arab World and in Israel itself, but not in the U.S.? Valentino's Ghost provides a fresh inquiry which challenges the media's daily barrage of rhetoric and misinformation about our complex and vital relationship with this part of the world