Jordi Vidal

"Mudanza" (Removal) came to be made after the curator Hans Ulrich Obrist was asked for involvement in a project in the Huerta de San Vicente, the home and museum of the García-Lorca family in Granada. The film records the removal of furniture and objects from the building, leaving visitors able to move freely amongst its empty spaces and a silence charged with feeling and resonance and the take from the experience whatever they demand from it - thus making poet Federico García Lorca's emotive and historic absence even more powerful, evident and heartfelt.

Portabella is putting forward the second part of one of his historic works, the “General report on certain matters of interest for a public screening”, which peeked out in 1976 at the start of the political transition process after Franco’s death. This second “Report” is made in the context of a severe systemic crisis in the cultural, economic-financial, political and energy fields. Above all, it nevertheless bears witness to the way civil society is coming out of this crisis with a new prominence, consisting quite simply in ordinary people’s recovering politics.

Portabella is putting forward the second part of one of his historic works, the “General report on certain matters of interest for a public screening”, which peeked out in 1976 at the start of the political transition process after Franco’s death. This second “Report” is made in the context of a severe systemic crisis in the cultural, economic-financial, political and energy fields. Above all, it nevertheless bears witness to the way civil society is coming out of this crisis with a new prominence, consisting quite simply in ordinary people’s recovering politics.

After the failure of her marriage, Iris goes back to her hometown during the Spanish Civil War (1936-1939), where she becomes a war photographer.

Des enfants et des adolescents se lient d'amitié alors qu'ils sont patients dans un hôpital...