Ivan Perić

Trois colocataires tentent de trouver l’argent pour payer leur loyer avec un moyen plutôt inattendu.

Dans les années 1980, un adolescent timide décide d'échanger avec un étudiant français afin de paraître plus cool au lycée. Quand son correspondant débarque aux Etats-Unis, le jeune américain prévoyait d'en faire son meilleur ami mais le français devient rapidement son pire cauchemar...

If there is anyone who embodies the current state of life in Croatia, it is the police detective Ivan Peric. The son of a fisherman, he became a detective as a way of avoiding working in the only really prospering industry of present-day Croatia – tourism. Now his life is consumed by trying to solve a series of essentially unsolvable murders of tourists. Because the tourists are so widely despised, no one will help Ivan. Evidence disappears into the labyrinth of bureaucracy. He is humiliated in public and online. In the local press, his boss even labels him an “uhljeb”, the Croatian slur for a “lazy bureaucratic parasite”. All of this takes place in the city of Split, where the breakup of Yugoslavia has left its mark.

A woman is recruited by REDSHIFT INC., and through various assignments comes to terms with its grand and sinister purpose, its treacherous employees, and her new-found role as a corporate entropist.

When a bus-load of women's college soccer players get stranded on their way to a bikini car-wash fundraiser, they decide to set-up shop in front of an abandoned gas station on the edge of town. Little do they know the place is the stalking-grounds for a homicidal maniac mechanic named Moe.

Sur fond de drogues, trois histoires se confrontent. Un trafiquant de drogues organise un trafic de Fentanyl entre le Canada et les États-Unis. Une architecte se bat contre sa dépendance à l’OxyContin et cherche à découvrir la vérité sur l’implication de son fils auprès de narcotrafiquants. Un professeur d’université découvre que son employeur, une société pharmaceutique, lance un nouvel antidouleur non addictif sur le marché.

In the superficial world of show business, a struggling actor with a peculiar feature tries to balance his day job and his acting 'career'.

In the superficial world of show business, a struggling actor with a peculiar feature tries to balance his day job and his acting 'career'.

In the superficial world of show business, a struggling actor with a peculiar feature tries to balance his day job and his acting 'career'.

If there is anyone who embodies the current state of life in Croatia, it is the police detective Ivan Peric. The son of a fisherman, he became a detective as a way of avoiding working in the only really prospering industry of present-day Croatia – tourism. Now his life is consumed by trying to solve a series of essentially unsolvable murders of tourists. Because the tourists are so widely despised, no one will help Ivan. Evidence disappears into the labyrinth of bureaucracy. He is humiliated in public and online. In the local press, his boss even labels him an “uhljeb”, the Croatian slur for a “lazy bureaucratic parasite”. All of this takes place in the city of Split, where the breakup of Yugoslavia has left its mark.

Les employés de la clinique sont, en quelque sorte, des superhéros du sexe capables de résoudre les problèmes du commun des mortels à ce niveau; mais ils sont aussi souvent des cordonniers mal chaussés, moins aptes à s’occuper de leurs propres enjeux et vies personnelles. Les patients de la clinique, parfois adorables, parfois lourds et parfois complètement bizarres, viennent nous rappeler qu’une ITSS ne fait pas de discrimination avant d’élire domicile. Riche ou pauvre, d’une culture ou d’une autre, beau ou laid, travailleuse du sexe ou célibataire involontaire, face à l’herpès, nous sommes tous égaux.