Alma Löhr

Lydia Tár, cheffe avant-gardiste d’un grand orchestre symphonique allemand, est au sommet de son art et de sa carrière. Le lancement de son livre approche et elle prépare un concerto très attendu de la célèbre Symphonie n° 5 de Gustav Mahler. Mais, en l’espace de quelques semaines, sa vie va se désagréger d’une façon singulièrement actuelle. En émerge un examen virulent des mécanismes du pouvoir, de leur impact et de leur persistance dans notre société.

Star reporter Lars Bogenius is a respected journalist and knows how to wow his readers and critics with emotional reportage. Emotional, realistic and moving, his style regularly promises to win him the industry's most coveted awards. His publishing house is also grateful to the exceptional journalist, because the paper's numbers are sinking and are being cushioned by Bogenius' reportage, among other things. Everything sounds too good to be true - at least that's the opinion of freelance journalist Juan Romero, who takes on the inconsistencies and looks deeper behind Bogenius' research and reportage. It's a dangerous plan that faces numerous obstacles. But what he discovers turns out to be the biggest journalism scandal in Germany.

Long before his big stage breakthrough in 1973 in Hamburg, and 4.4 million records sold, the rock musician Udo Lindenberg from the Westphalian province, the man with the long hair and the hat, had many adventures. Before it all started, he moved from the remoteness of Gronau to Hamburg, where he met Paula, who was not his great love, but was quite a hottie. When the team of three was complete with Steffi Stephan, the idea of founding a band developed. But the road to get there was a long one: he drummed as a jazz drummer in bands, had a highly dangerous performance in a US military base in the middle of the Libyan desert and always believed in making it to the very top.

Nous retrouvons la famille Schöllack à Berlin, trois ans après les événements de Berlin 56. Monika, Helga et Eva ont grandi. Chacune cherche à naviguer dans cette société rigide de la fin des années 50. Alors que Monika poursuit sa carrière de musicienne et de danseuse avec Freddy, Helga s’efforce d’être une femme au foyer idéale pour Wolfgang. Eva, de son côté, souffre du comportement patriarcal de son mari et tente de lui échapper.

A family moves from hip Berlin to a semi-detached house in the idyll and gets to know their neighbors...