Melissa Hough

Are we ever honest enough to be unaffected by lies? This is the question asked by Henrik Ibsen's drama Ghosts (Gengangere). Oswald Alving returns from a bohemian existence in Paris to small-town Norway. Encountering people who do not communicate, Oswald responds by becoming ironic and distant. He gradually learns more of the secrets that weigh on his family, as well as those inside himself. His mother, Mrs Alving, welcomes her much-missed son home - and slowly understands what, or whom, he has brought home with him. Together with the young, critically acclaimed choreographer Cina Espejord, she retells Ibsen's play as a ballet. The pair feel the story is suited to dance because both it's inner and outer brutality can be pitted against the power of dance. Ibsen's Ghosts is an evocative production in a modern dance style. Nils Petter Molvær has composed new music, which he performs on-stage together with Jan Bang.

The Artist proposes to the distrustful and skeptical Producer the staging of a new ballet starring… swans? What is the story? That of Prince Siegfried and his love for the beautiful Odette, victim of the spell cast by the evil sorcerer Rothbart, an enchantment that turns her and her friends into swans when the light of day tears the dark shadows of night. (The Norwegian National Opera and Ballet, April 26th, 2014.)