Adrià Espí

Agatha has just started University, but she still sees her old school friends, sharing parties, private secrets, trips, jokes and debates. A private world full of memories that she will now have to measure against her new college friends and the changes that she’s begun to discover in herself. The film Agatha’s Friends is the portrait of a group of 20-year-old girls during their first year at University as seen through Agatha’s eyes. From their lives in Barcelona to a trip up the coast to the Costa Brava, where Agatha will feel how the world she built with her childhood friends Carla, Ari and Mar, has begun to change.

Roc's father kills himself less than a year after meeting him. Dragging his friend Jordi, they cross the country by car to go to the burial. In an absolute intoxicated state, they sare the path broken by the circumstances that surround the suicide of his father.

El Mort Viu portraits the Gifra family: the father, Joan, unmotivated and unemployed, a passionate follower of Saint Rabuci; Marc, the ever-angry older brother, a hard-working yet embittered man who has taken the reigns of the family; and the problematic younger son Llàtzer, a NEET parasite that feeds on the decline of his family and the birth of a monster settling in a very peculiar town, between dramedy and fantasy, through the filter of Spanish tradition of very dark humor.

El Mort Viu portraits the Gifra family: the father, Joan, unmotivated and unemployed, a passionate follower of Saint Rabuci; Marc, the ever-angry older brother, a hard-working yet embittered man who has taken the reigns of the family; and the problematic younger son Llàtzer, a NEET parasite that feeds on the decline of his family and the birth of a monster settling in a very peculiar town, between dramedy and fantasy, through the filter of Spanish tradition of very dark humor.

El Mort Viu portraits the Gifra family: the father, Joan, unmotivated and unemployed, a passionate follower of Saint Rabuci; Marc, the ever-angry older brother, a hard-working yet embittered man who has taken the reigns of the family; and the problematic younger son Llàtzer, a NEET parasite that feeds on the decline of his family and the birth of a monster settling in a very peculiar town, between dramedy and fantasy, through the filter of Spanish tradition of very dark humor.

'L'Alqueria Blanca’ ('The White Village') proposes a journey through time, up to the 1960s, which reflects the life of an inland village, in the Alcoià county. The atmosphere is eminently rural and is marked by the great differences between the two most representative families of the place, the Falcó and the Pedreguer, who star in a series of stories with love above the class difference, envy, jealousy and scandal. It all comes down to some unstoppable advances in society.

El Mort Viu portraits the Gifra family: the father, Joan, unmotivated and unemployed, a passionate follower of Saint Rabuci; Marc, the ever-angry older brother, a hard-working yet embittered man who has taken the reigns of the family; and the problematic younger son Llàtzer, a NEET parasite that feeds on the decline of his family and the birth of a monster settling in a very peculiar town, between dramedy and fantasy, through the filter of Spanish tradition of very dark humor.