Stéphanie Roland

Alex et Noémie, la trentaine, voudraient avoir un enfant. Mais leurs plans sont chamboulés quand Suzanne, la mère d’Alex, se met à faire de sacrées conneries. C’est parce qu’elle a contracté une “démence sémantique“, maladie neurodégénérative qui affecte son comportement. Elle dépense sans compter, rend des visites nocturnes à ses voisins pour manger des tartines, se fabrique un faux permis de conduire avec de la colle et des ciseaux. Suzanne la maman devient Suzanne l’enfant ingérable. Drôle d’école de la parentalité pour Noémie et Alex !

Podesta Island exists according to Google Earth. Podesta Island does not exist according to Wikipedia. Does it really exist? In a hyperconnected and mapped world, are there still unknown areas? The film Podesta Island paints the portrait of a controversial phantom island by confronting documentary sources with the narratives and legends inspired by this island. This exploration, where satellite imagery and live action intertwine, brings us closer to Terra Incognita and celebrates the imaginary geography.

Podesta Island exists according to Google Earth. Podesta Island does not exist according to Wikipedia. Does it really exist? In a hyperconnected and mapped world, are there still unknown areas? The film Podesta Island paints the portrait of a controversial phantom island by confronting documentary sources with the narratives and legends inspired by this island. This exploration, where satellite imagery and live action intertwine, brings us closer to Terra Incognita and celebrates the imaginary geography.

Podesta Island exists according to Google Earth. Podesta Island does not exist according to Wikipedia. Does it really exist? In a hyperconnected and mapped world, are there still unknown areas? The film Podesta Island paints the portrait of a controversial phantom island by confronting documentary sources with the narratives and legends inspired by this island. This exploration, where satellite imagery and live action intertwine, brings us closer to Terra Incognita and celebrates the imaginary geography.

The breath of the machine fills the air, where the singing can flow. Nina stands in front of the wiggling robot. The soft bodies measure up themselves, sometimes harmonize. The breaths dilate the organs, which swell and fold; transmute the synthetic movement into vital impetus and the vulva into mouth, which inflates until it spreads.