Zhour Slimani

Amis de longue date, Mehdi et Hamid, travaillent pour une agence de recouvrement. Ils sillonnent les villages du grand Sud marocain dans leur vieille voiture et se partagent des chambres doubles dans des hôtels miteux. Ils ont exactement la même taille, les mêmes costumes-cravates, les mêmes chaussures. Payés une misère, ils essaient de jouer aux durs pour faire du chiffre. Un jour, dans une station essence plantée au milieu du désert, une moto se gare devant eux. Un homme est menotté au porte-bagage, menaçant. C’est l’Evadé. Leur rencontre marque le début d’un périple imprévu et mystique.

Fakhita discovered that her husband's daughter has a child from his mistress. He gets angry at him and forces him to divorce her only child, but the latter strongly rejects her attachment to her and her weakness. Which makes the need to pour out her anger by preventing him from using the work car, preventing the servants from carrying out any of his orders, and determining his powers in the company, which will make him plan to marry his mother in order to return to his previous position.

Abdelinho est un grand rêveur qui vit dans une petite ville du Maroc. Il est fasciné par tout ce qui a trait au Brésil, au point de parler couramment la langue, de danser régulièrement la samba et d'être éperdument amoureux de Maria, une héroïne de télénovelas. Lorsqu'un télévangéliste arrive en ville, sa vie et celle de toute la ville est bouleversée.

The residents of a small Moroccan city endure separate lives while knowing the same cycles of burden and small joys. Wives and husbands, mothers and fathers, sons and daughters maneuver their way through mourning as death takes loved ones and life insists on moving forward. Here, letting go is a challenge for both the dead and the living. The people of this city share the same world, but don't always know when they live in each other's lives, helping and harming each other. Connected by friendship, proximity, and blood, they both destroy and support each other. Through weddings, funerals, murders, forgiveness, love, new birth, and sacrifice, the living build community and hope. Meanwhile, the souls of the dead linger to watch over loved ones.

A classic car belonging to the boss of the local mafia goes missing from the garage of a mechanic called Kwika who had taken it in to do some repairs. kwika thus finds himself in a dangerous predicament with the boss who asks him to pay for the full value of the car within the month. kwika has no choice, he has to find the money but unfortunately has no way of doing so and has already suffered several threats and beatings by Kiama.With time passing quickly, he decides on the spur of the moment to sell one of his kidneys to a family with a sick child called Ismail, on one condition, that he has the operation in Singapore. kwika and Ismail leave for Singapore but first of all they touch down in Cambodia where they leave the airport and have all their belongings stolen. They are thus in a tragi-comic situation in Cambodia where they have to find a way of organising the operation as well as getting back home to Morocco.

"Lotfi", a concierge of an apartment torn apart by the commitments of the unusual residents, with the neighborhood problems, their mood swings and endless demands.

A young teacher named abdelrrafi lives with his mother, moves to another house suddenly knows the owner of the new house is " sheikha"

Ahmed's story is about a lazy man who works in a call center. He marries his new director Mona. One day, he is fired from his job while his wife is promoted. He finds himself out of work, so he is forced to clean for a while, then he tries to start a new project

New Ramadan iteration of Fad TV, created and directed by comedian Hassan El Fed. Kabour is back again with new shenanigans trying to marry fellow neighbor Fatiha, who constantly refuses him. Menawhile, "Abu Laâneb" goes on a series of hilarious dates with his girlfriend and Adil and Adila try to win a couples game show.

This comic series tackles the clash between the Bedouin nature of the new residents of the cities and the modern lifestyle in a comic form, as Kabour and Lahbib live a new life in a room on the roof of a building in the city of Casablanca and confront with the modernity of Khadija the landlord and Aziz the concierge.