Suzan Al-Doghachi

Special agent Mott McCampbell has a mission, escorting a Japanese dignitary from JFK airport to the United Nations. A gang of stewardesses has a different plan, kidnapping! Will Mott be able to stop them in time? Find out, see 4 O’CLOCK, the underground, film-noir comedy.

The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process. The video camera flits across the boroughs of NYC in a splash-dash sojourn of sumptuous banquets and bohemian bombast, while the down-to-earth wisdom of the seeing impaired helps to guide the protagonist into detours of wisdom befitting his putrid project. A theatrical play incubates in the balding head of the videomaker and as its presence makes itself felt among the various victims of his vision, we share with them the horror of advancing age and the descriptive diatribes toward the destiny of the decrepit damned.

Artists with brushes need light to paint a picture, but human feelings function just as well in the dark.

Four friends spend a final summer together tangled in a web of sexual obsession, alienation and magic.

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

BIRD IN THE SKY is a gritty, poetic tale of a young man’s spiritual struggle on the streets of New York City. Rob has been given a second chance to right the wrongs of his street-wise past; he must perform a miracle to be saved. His fate lies in his love for a young woman, Kay, who is coping with the loss of her child.

BIRD IN THE SKY is a gritty, poetic tale of a young man’s spiritual struggle on the streets of New York City. Rob has been given a second chance to right the wrongs of his street-wise past; he must perform a miracle to be saved. His fate lies in his love for a young woman, Kay, who is coping with the loss of her child.

Special agent Mott McCampbell has a mission, escorting a Japanese dignitary from JFK airport to the United Nations. A gang of stewardesses has a different plan, kidnapping! Will Mott be able to stop them in time? Find out, see 4 O’CLOCK, the underground, film-noir comedy.

A joyous Guatemalan film about the magic and charm of puppetry. This documentary follows the charismatic artists as they make their puppets and perform. Both humorous and socially aware, their themes are drawn from classic stories, local legends and history.

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

Four friends spend a final summer together tangled in a web of sexual obsession, alienation and magic.