Un making-off réalisé pour le vingt-cinquième anniversaire du film d'horreur classique, L'Exorciste. Comprend des entrevues avec Linda Blair et les autres stars du film, ainsi que des commentaires du réalisateur et écrivain sur quelques-unes des significations plus profondes derrière les éléments qu'ils ont utilisés pour effrayer leurs auditoires.
A behind-the-scenes look at the making of this Oscar winning thriller, prepared for its tenth anniversary. Includes interviews with star Anthony Hopkins, as well as other members of the cast and crew, giving their views on the experience of creating this masterpiece of terror and suspense.
10 years after the release of "Philadelphia," director Jonathan Demme, Tom Hanks, Denzel Washington and others discuss about the making of that film and it's important legacy through the years of being the first mainstream Hollywood film about dealing with the topic of Aids, revealing its impact on culture and society. Cast and crew talk about the inception of the project, the making of it and curious stories about one of the greatest hits of 1993.
A married couple struggle with the realities of their imperfect marriage as they fight to save and rehabilitate their teenage daughter from a life of drug addiction and ultimate committal to a mental ward.
At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially, his intention is to evict the black tenants and convert the building into a posh flat. But Elgar is not one to be bound by yesterday's urges, and soon he has other thoughts on his mind.
Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs such songs as the title number and "Son of a Preacher Man." The concert concludes with a medley of songs from the film Cabaret (1972). The special, Minnelli and Fosse all won Emmy Awards. Bob Fosse also won the Oscar and Tony that year, in the only instance of any person ever winning all three in a one-month period.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
Les Oscars du cinéma (Academy Awards) sont des récompenses cinématographiques américaines décernées chaque année depuis 1929 à Los Angeles et destinées à saluer l'excellence des productions américaines du cinéma. L'attribution de ces distinctions dans les domaines choisis pour représenter les métiers de la création cinématographique (réalisation, interprétation, scénario, technique) est organisée, gérée et dirigée par l'association professionnelle Academy of Motion Picture Arts and Sciences.