Anna Maria Cianciulli

Hamlet/Horatio begins on an empty sound stage with the death of Hamlet. The action transpires in his last moment of awareness as the hero of Shakespeare's most famous play watches his life flash before him while his soul transcends all earthly conflict. Hamlet/Horatio is told from the perspective of Hamlet's closest friend and confidante, Horatio, who takes on the role of film director in order to fulfill his promise to dying Hamlet of telling the story of Hamlet's life so that the world will know of Hamlet's tragic sacrifice.

An American remake of the iconic Italian neo-realist postwar masterpiece. When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.

Regina Haywood est l'inspectrice adjointe nouvellement promue d'East New York, un quartier ouvrier à la périphérie de Brooklyn. Elle dirige un groupe diversifié d'officiers et de détectives, dont certains hésitent à déployer ses méthodes créatives de service et de protection au milieu des bouleversements sociaux et des premiers germes de la gentrification.