Samia Othoi

The film tells the story of the legendary 'Shadhin Bangla Football Team' founded during the 1971 Liberation War of Bangladesh. They played friendly matches across India to raise funds which would be used in the war. The film also portrays the personal lives of few players of the team and their struggle and losses during the war. Though the film is inspired by true events, it takes cinematic liberty and mixes fiction with reality as well.

After falling in love with an extremely idealist youth Tajul, Shanu ignored her luxurious life and left her home town, leaving behind just a short note with her new address. Shimul, after a long time, could manage to find Shanu out in a corner of an old township with cue of that note wherein he invents a new proletarian Shanu Wherein Shanu and Tajul are giving their everything, every breath and working really hard to run the family in a conscientious way. We cannot see those struggling breath with bare eyes. We, probably, can elucidate these struggling breaths as precious love of life. The name of the prehistoric story of this breath is “Myth of Love”.

What is the deepest wound of the mind that haunts us as an evil force? What lives right between faith and unbelief?

Five individual stories are connected to each other in the basis of their nature. Actually the Dark Side of the capital Dhaka, has been sketched throughout the film. What happens over our eyes in the dark of the night.

A story of an astrologer that went viral.

In a quiet suburban town, a relentless journalist uncovers a disturbing pattern of unsolved rape cases, each linked to a powerful and untouchable figure. As she digs deeper, her pursuit of justice turns into a deadly game of cat and mouse, forcing her to risk everything to expose the truth.

Once an accomplished lawyer, Mobarok had retired after a case had rocked his moral foundation. Suddenly, a sensational case jolts the now-jaded man. Even after knowing that defeat in the case is inevitable, Mobarok returns to court because victory there is the only way to atone for his past mistake!

Pett Kata Shaw takes the darkest most nefarious Bengali folk tales that survived generations and gives them a modern twist. Our stories and our culture must live on. Ghost stories too.