Mihir Bhattacharya

Dikshul is a 1943 Bengali film produced by New Theatres Ltd. Directed by Premankur Atorthy, the film featured music by Pankaj Mullick and cinematography by Rabi Dhar. Notably, the film's lyrics were penned by the renowned poet Kazi Nazrul Islam, and it marked the playback singing debut of actress Binota Roy.

Bhupen is an excellent student who works as a private tutor to support his education and family. He begins to teach Sandhya who is a rich man's granddaughter. She ends up falling for him and that ruins his career, even though he did not feel the same for her. He later gets married to Kalyani but he and Sandhya still share a bond for the sake of her property.

Eldest brother brings up the orphaned brother single handed along with his (later) second wife's child-widow cousin. When they grow up and marry, the new wives break the family, will it rejoin? At what cost?

The story revolves around the last life crisis of Jamini Mohan and his wife. After his retirement, Jamini Mohan and his wife Santoshini continued to be despised in the family of their earning sons. At this time, Gobinda, an orphan of a distant relative, became their mental hope. After facing various humiliations from their blood relationship Jamini Mohan died and as the mother of three sons, Santoshini became a burden to this family. Eventually, Gobinda became Santoshini's absolute refuge.

The story is a simple tale of a great soul Sarbananda based on a simple village. Shambhu is a small boy raised up by his mother and grandfather. Shambhu is extremely mischievous and does things. Everybody in the village knows each other and all share a common feeling of love and concern for each other. But Shambhu belongs to lower caste and so every time he and his family is met with intense insult. Social stigmas like caste discrimination were strongly prevalent in those times. Purna da loves him but also hates his naughty ways. Meanwhile a Brahmin high class family residing in the same village too is plagued by problems of their own. One of the two sons of the family does not like earning a livelihood simply by performing prayers around. He does not learn his scriptures well or anything expected from a Brahmin boy. His family falls in trouble often and is considered the laughing stock for this.

This story is as Ashoke Mukherjee is a well educated, honest, sincere and hardworking person who lives with his mother. Gopa, his lover lives in his neighborhood. Ashoke appointed as a cashier in a bank. But after some day he meets with police and got arrested. After returning from jail he understand that it was a conspiracy. But this whole incident actually demolished his all dreams. His mother was dead and he do not trace Gopa. Suddenly he helped a person and for his honesty and sincerity Ashoke appointed to look after his business. Gradually he became the owner of the business and started to take revenge against those culprits for whom he had lost some valuable time of his life. He takes a different look. Became a Sardarji and one day he meets with Gopa. Ashoke gives them a serious blow and takes his revenge. At last the truth prevails.

A 1941 Bengali Drama Film directed by Pramathesh Barua.

Trouble ensues when an eccentric but simple-minded villager discovers he is the only living heir of a royal estate.

A 1970 Bengali Drama Film directed by Pijush Bose.

Lalu and Chinta are neighbours and extremely good friends. One morning both of die and reach hell. However Yandyut exclaims that there was a mistake and that they were not the individuals he intended to kill. He orders Lalu and Chinta to be sent back to the earth but the latter claim for a tour of hell as compensation. Soon the friends find themselves back on earth but soon realize that their souls have been exchanges in error. This leads to a series of confusion of themselves as well as their near and dear ones. In the end their souls come back to themselves and there is no bound to their happiness, much to the amusement of the rest who did not know why they were so happy.

Kakoli and Sukanto meet in a library reading room. They gradually grow closer to each other and start meeting frequently. One day, she visits Sukanto at his home and her appearance moves everyone in his family. Sukanto's mother wants them to marry but Kakoli's parents refuse the proposal. So, Kakoli leaves the home of her father and begins working as a receptionist. However, misunderstandings soon develop between her and Sukanto.