Nana Makharashvili

Three outsiders, obsessed with a serial killer, travel across the desert to prove their devotion to him.

Examines authenticity, provenance, and the narratives we construct around art and material history. Weaving together exploitative casting tapes, the hanging of un-attributed Dutch master paintings and the history and cultural meaning of denim fabric to reach a deeper understanding of the entanglements of class, labour and aesthetics.