Marybeth Spychalski

Pendant que le reste de l'Amérique dormait, le cinéaste/musicien Giuseppe Andrews a réalisé plus de 30 longs métrages expérimentaux. Situés dans un univers alternatif dément (Ventura, Californie), ils sont peuplés d'alcooliques et de toxicomanes réels, de personnes âgées qui parlent mal et d'habitants de terrains de caravaning vêtus de costumes de vache et de perruques de magasin de costumes. Le réalisateur Adam Rifkin crée un portrait surréaliste, outrageusement drôle et étrangement touchant d'un véritable artiste marginal qui habite un monde dont peu d'entre nous connaissent l'existence.

When we first meet the characters from Golden Embers, they are people in transition. One is a bride to be, hoping her ex-addict brother can stay sober long enough to walk her down the aisle. The sibling is a sexually obsessed dope fiend, desperate for any kind of psychosexual release - and lots of wacky white powder. Locked up in a hotel room, freebasing his sordid memories and many erotic needs, he slowly comes unglued. Soon, we are witnessing rampant mood swings, murderous hallucinations, and the world's most misguided nuptials, complete with dancing.

Apartheid has been ordered to Green Hockers Rehab Center for excessive drinking. His habit is so bad that his life has become one continuous case of the DTs. As a matter of fact, a disembodied old man with the same initials seems to be controlling his attempt at sobriety. Forced to wear a monkey around his neck to highlight his problem, said simian comes with two bags of rocks around its legs. The longer Apartheid stays, the more rocks will be removed and the less weight he will have to be subjected. Of course, DT doesn’t help. He offers disquieting visions of smiley faced stones that punch people out, remote control apes that choke people to death, and others with equally oppressive addictions of their own. As he battles with the bottle, losing most of the time, all Apartheid wants to do is get away from this abusive clinic. Little does he know that, just like Hotel California, he can check out any time he likes, but he can never, ever, ever, leave.

"Baby Swiss is obsessed with a strange science fiction film. She fantasies about living in its futuristic ideals, and keeps a separate DVD copy in a strongbox under the house just to be on the safe side. Naturally, this drives her unattended husband to the local whorehouse, known as The Village of the Moon. There, he meets up with other unhappy men and drowns his sorrows in high priced call girls. In the meantime, Baby Swiss discovers a kind of platonic love with a like minded neighbor. He is so desperate to be part of her life that he will wait outside her window. Their relationship will turn on whether she cleans the glass, or closes the blinds. And all the while, a homeless Greek chorus champions the freedom of living on the streets, unencumbered by the mindless machinations of being part of this so-called “proper society”" (review excerpt by Bill Gibron)

Plop - named after the sound he made upon his birth - is a notorious infant caregiver wanted by the police. Apparently, unwitting parents (including a particularly proud gay couple) have hired the semi-retarded redneck nanny under the pretense that he takes good care of his toddler charges. Instead, Plop beats and humiliates the children, taking out his own sad mental issues out on them. Thanks to an ex-girlfriend. However, the cops are hot on his trail. It won’t be long before the long arm of the law, or a mangled baby with a can of soup, ends Plop’s cruel crime spree once and for all.

Black Jesus just can’t take it any more. He hates his dying wife and his transsexual son - but not for the reasons you think. She won’t let him obsessively cut coupons, and he/she fetishizes guns to the point of distraction. His other daughter is a dope fiend, and his recently deceased father was an out and out pervert. And don’t even bring up autistic child prodigy Hobie. Desperate to play the violin, the partially blind boy spends his days roaming around the city, instrument in hand and toilet paper tube up to his bad eye. When the youthful talent meets European Ernie, it seems like everything will be all right. He coaches the child, and even suggests someone who might be able to teach him a thing or two. In the meantime, Mom and the sexually confused Shamu build a bomb. With Black Jesus out of the house, they intend to avenge the cultural attacks on religion once and for all.

Giuseppe is working on some new tracks. He seeks advice from Ed. Turd Cramp.

Doily lives with his psychic wife Haley Comet. She does readings, and has sex with clients on the side. He spends his days dishing with his friends Terrace and Sabado. At the beginning of one memorable summer, Doily is chased by a bee. The insect eventually hunts down and kills his buddy Terrace, who is then brought back to life by a mysterious alien object. Next, a client of Haley finds his hair cut and shampooed - and he didn’t do it. Then a dinner party at friend Colby Jack’s turns weird when the host is transformed into a giant pot pie. In between, our hero is attacked by a monster and a household slipper, and rediscovers his love for crystal meth. But when buddy Terrace turns up again, this time as a talking VCR, Doily starts getting scared. While Haley considers all these events mere “freak occurrences”, her lover man is convinced they are signs that someone is trying to kill him.

A Jesus church for the deaf worker, who meets a girl named Frankie through a sex finder website. Her experimentation with robotic sex bugs, and his fears over the crazy pastor of the church interweave with vampire guitar freak outs, sex acid, paper towel photo shoots, and dreams of dolls in bottles.

"In this vignette oriented piece, a group of people discuss their own often unique perspective on life. Unlike other titles in his canon, Esoterica is completely apropos. Each sequence suggests the inner psychological struggles of seemingly normal people, the whole “private conversation in their head” thing given new and startling voice over reality. They are talking to themselves - and responding. All the standard players are here - icons from the past (Vietnam Ron, Walt Dongo) as well as new faces (Nolan Ballin, Sara Flanders) fresh and buoyant with the boy genius’s love of language. Together, their paint a stunning portrait of human frailty and mental mania." (review excerpt by Bill Gibron)

Holiday Weekend centers on how people relate to each other. A young couple quibbles over an impulsive decision to steal a coffee machine, while the victimized pair sans Sanka plays an unusual game of affection and abuse. A young man with werewolf-ism moves in with a fledgling songwriter, while elsewhere, an injured individual with Tourettes seeks council from a high priced lawyer. All the while, some elderly homosexual lovers reunite, dancing to celebrate the rekindling of their long dormant love. Giving us his spin on spirituality and the afterlife. Holiday Weekend is like several small sketches that add up to one incredible portrait.

A girl named Mandy makes the ultimate companion in the form of a robot. They eat cupcakes, tell stories, and play board games. The robot can’t fill the void like Mandy thought though of her childhood friend Black Magic Higgins

Tired of living under a bridge like a troll, middle-aged homeless man Ronzoni decides to reconnect with his roots. Buying a bowling ball as a Christmas gift, he heads out to visit his retired father and distant sister Agatha who live in a local trailer park. Unfortunately, they both think he’s a wholly worthless bum. When a large box lands on his chest, Ronzoni is stuck behind his dad’s double wide and no matter how hard they try, they just can’t seem to get the empty cardboard container off his body. Wanting to escape his incessantly whining, the pair head off to a hotel. There, Agatha meets Nicholas, an in-room escort who opens her eyes to the joy of music and the fun of making anti-porno.

A man dies of cat food poisoning and has a panoramic life review.

A Film by Giuseppe Andrews.

“Toggle Switch is a little person living in a world of her own design. Deadly with pets, and equally unhinged with her family, she spends her days watching exercise videos and her nights in pursuit of bizarre extracurricular activities. Along the way, we meet a bearded 12 year old, a closet junkie, and the skinniest fitness guru in the entire self-help universe, all getting by on chutzpah, camaraderie, and a healthy dose of vagina-based show tunes…Orzo is by far the funniest thing Giuseppe Andrews has ever done. It’s a comedy plain and simple, a character-based humoresque that proves Andrews’ mantle as both a writer and a wit.” (review excerpt by Bill Gibron)

The country is at war over a natural resource. The strange cosmic force known as "Schoof" is slowly making the human race insane. The news has ceased to make sense. "Schoof" has affected each member of Tracy's family, leaving her unaffected. That's what she thinks as a scientist, a test subject and a group choral will be the galaxy's only hope.

Bronze is a down on his luck thespian who needs a break badly. Literally living off his one recognizable moment in the TV cop show Boys in Blue (he played a TV stealing criminal), he spends his days hustling, his nights arguing with his live-in companion, a transvestite Christian rock wannabe. After a beer can robbery goes wrong, Bronze gets his songwriting pal an audition. When that falls through, he hits rock bottom. A bout with cellphone-induced ear cancer and an incident with a haphazardly thrown can of soup seals his sad fate.