Maria Angélica Lemos

From the accounts of lesbian artists and militants, frequenters of Ferro's Bar, we are led to an episode central to the formation of the Brazilian lesbian movement in the early 1980s, the "uprising of Ferro's Bar". The film shows how lesbians are no longer a figure found only at night, inside apartments, and become a political subject that rises up against censorship of one of the lesbian periodicals with the largest circulation in the 1980s, "ChanacomChana". Ferro's Bar represents a space for the political-affective memory of its frequenters and a way of updating this collective and political history that is still pulsating.

The existence of racial discrimination did not prevent the affirmation of the black community in the urban space of São Paulo. Members of the black community, in intimate accounts, tell their origins, life trajectory, dreams, anxieties and how they see the situation of blacks, 102 years after the supposed abolition of slavery. Black women and men continue to have to fight for minimum rights and recognition of existence. Black resistance is an example of the struggle of oppressed peoples.

Documentary about the daily life and struggle of workers from the 1930s generation in Brazil. Told through the memories of a feminist and four union members, the film shows the different faces of the workers' organization experience at that time, from Vargas' influence to communism, culminating in the common trait of their relationship with the workers' bases.