Paopoom Chiwarak

Deux fragments de la vie d'une femme. Maem est une jeune femme dans la Thaïlande rurale des années 1960. Son père horloger transmet sa passion à sa fille, tandis que les tensions entre la dictature militaire et les rebelles communistes s'exacerbent. Elle est courtisée par deux jeunes hommes très différents - un faible conducteur de pousse-pousse qui est littéralement mis de côté par un chef d'armée ambitieux et impitoyable. Cinquante ans plus tard, le chef de l'armée est devenu un général en disgrâce. Maem soigne son mari violent pendant ses derniers jours et se remémore son passé rempli de pertes, de souffrances et de joies.

Lorsque ses bons locataires commencent à poser problème, une propriétaire terrifiée doit faire face à une secte qui semble fasciner son mari… et menacer sa fille.

A young woman's body is covered in unexplained bruises. She suspects the cause is supernatural, but her doctor doesn't believe her.

“Only your son knew it best. At the very last moment he passed away, we were still loving each other.” A testimonial written by a daughter-in-law regarding the tragedy in 1984. As a wife, Thida would stand for her innocence against the accusation of intentional murder. As a mother, Lady Valai would do anything at any cost to redeem the lost of her son. One does not touch but another gets hurt. Once the death of someone is narrated its griefs and pain by those who still live, what else we could witness amongst many versions of narrative that overlaps in one space.

“Only your son knew it best. At the very last moment he passed away, we were still loving each other.” A testimonial written by a daughter-in-law regarding the tragedy in 1984. As a wife, Thida would stand for her innocence against the accusation of intentional murder. As a mother, Lady Valai would do anything at any cost to redeem the lost of her son. One does not touch but another gets hurt. Once the death of someone is narrated its griefs and pain by those who still live, what else we could witness amongst many versions of narrative that overlaps in one space.

“Only your son knew it best. At the very last moment he passed away, we were still loving each other.” A testimonial written by a daughter-in-law regarding the tragedy in 1984. As a wife, Thida would stand for her innocence against the accusation of intentional murder. As a mother, Lady Valai would do anything at any cost to redeem the lost of her son. One does not touch but another gets hurt. Once the death of someone is narrated its griefs and pain by those who still live, what else we could witness amongst many versions of narrative that overlaps in one space.