Dschingis Bowakow

The western film that was filmed in Bavaria is located in the Montana Mountains. At the end of the 19th century, an Indian Boy called Tschetan meets the shepherd Alaska in the Montana Mountains. Alaska prevents him from being hanged as a cattle thief but from then on engages him as a deputy shepherd and forces him to do hard work. But when they have to fight against a powerful stock farmer together, they eventually become friends.

14-year old Uwe lives in s suburban Hamburg housing estate. Besides trouble, the boy has not much to expect from his parents. To get his hands on some money, he prizes open vending machines, and to let out his frustration he beats up "wogs". Among them is Dschingis, his nemesis. But one day, the rivals make peace. They become friends because they realize that they have the same problems and are driven by the same dreams and hopes.

15-year-old Moritz lives in a posh area of Hamburg, but his parents did not care about it. The teenager suffers from ridicule of his classmates and finds refuge in his dreams and playing the saxophone. Only when he joins a band and began performing there Moritz pulled out of the vicious circle, and finds love with new friends...

Yasemin is a 17-year old Turkish girl who lives with her parents near Hamburg in Germany. While her mother and father accept that Yasemin has her own German friends, they also expect her to honor the traditions of their country of origin. The arrival of Jan, a German student aged 21, throws this situation into conflict.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Pierre vit avec sa mère dans un château en Normandie, près des bords de la Seine. Ils sont riches, insouciants, beaux. Ils s’aiment. Chaque matin, Pierre se rend avec la moto héritée de son père chez sa fiancée, la blonde et touchante Lucie. Ils s’aiment. Une nuit d’été, Marie annonce à Pierre qu’elle a arrêté la date de son mariage avec Lucie. Pierre fonce en moto porter la nouvelle à sa fiancée. Mais en chemin, au bord d’une forêt noire, apparaît dans ses phares une créature d’une beauté funèbre. Elle parle avec un fort accent des pays de l’Est. “Pierre...tu n’es pas le seul enfant. Je suis ta soeur, Isabelle.”

Pierre vit avec sa mère dans un château en Normandie, près des bords de la Seine. Ils sont riches, insouciants, beaux. Ils s’aiment. Chaque matin, Pierre se rend avec la moto héritée de son père chez sa fiancée, la blonde et touchante Lucie. Ils s’aiment. Une nuit d’été, Marie annonce à Pierre qu’elle a arrêté la date de son mariage avec Lucie. Pierre fonce en moto porter la nouvelle à sa fiancée. Mais en chemin, au bord d’une forêt noire, apparaît dans ses phares une créature d’une beauté funèbre. Elle parle avec un fort accent des pays de l’Est. “Pierre...tu n’es pas le seul enfant. Je suis ta soeur, Isabelle.”