Chimidgaadangin Tserennadmid

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Тунгалаг Тамир: Нэгдүгээр анги
1
The image of the Mongolian countryside, the struggle for freedom, and the changes in the minds of the people of the new social relations are reflected in the form of an epic. The main characters of the film are the well-known characters such as Erdene, his wife Dolgor, the rich Itgum, and Timur, a good glass man called "silicon", and the complex events of their lives. appears.
Drama
Тунгалаг Тамир: Хоёрдугаар анги
1
The image of the Mongolian countryside, the struggle for freedom, and the changes in the minds of the people of the new social relations are reflected in the form of an epic. The main characters of the film are the well-known characters such as Erdene, his wife Dolgor, the rich Itgum, and Timur, a good glass man called "silicon", and the complex events of their lives. appears.
Drama
Тунгалаг Тамир: Гуравдугаар анги
1
The image of the Mongolian countryside, the struggle for freedom, and the changes in the minds of the people of the new social relations are reflected in the form of an epic. The main characters of the film are the well-known characters such as Erdene, his wife Dolgor, the rich Itgum, and Timur, a good glass man called "silicon", and the complex events of their lives. appears.
Drama
Энэ хүүхнүүд үү!
1
After hearing that Jamts, the head of the union, is reluctant to hire women, his son's fiancee Dulamsuren disguises herself as a man and shows how she overcomes those who underestimate the power of women in an exaggerated comical tone.
Comedy
Баясгалан
1

Баясгалан

Jan 01, 1962
It is reflected in the lives of some narrow-minded people who discriminate between work as black and white, evaluate acquired skills and acquired experience only by a certificate, and confuse friendship with love. Bayasgalang's childhood was spent on the back of a racehorse, and his teammate studied at school in Darsuren and returned to his hometown as a teacher. While Darsuren and his students were walking in the countryside, an artist from the city attacked and painted them. Misunderstanding the mutual respect between the artist and the teacher, Bayasgalan went to the city to accept the idea that horsemanship is not a profession, and he faced great difficulties in not finding a job. On the way, he meets an artist who is suspicious of Darsuren, his wife and children, and introduces Bayasgalan. He tells the story of how he is returning to his hometown after realizing that he has wasted his time by abandoning his profession to be suspicious of an innocent man.
Drama