Colin Gilbert

De jeunes soldats confrontés aux horreurs de la guerre perdent toute sensibilité dans la lutte pour la survie.

A re-working, re-editing, and restructuring of Sam Fuller's The Big Red One bringing it closer as originally envisioned by the late filmmaker. It includes forty-seven additional minutes which was not utilized in the film's original release. Supervised by Richard Schickel, Peter Bogdanovich, and editor Bryan McKenzie.

A sketch artist for the police helps a witness recall who she saw leaving the scene of a murder, and discovers that the person is his wife. Not willing to believe she was responsible, he resketches the pictures so they don't look like her, and he begins his own investigation of the murder.