Wagner Jovanaci

At the end of the brazilian military dictatorship, a bored elevator operator gets her dull work day shaken by the pursuit of marxist revolutionaries by two army generals.

Western book writer, Eugenio is going through a difficult phase. He is famous for the novels starring the Jesus Kid, but his sales have been going from bad to worse for some time. The light at the end of the tunnel seems to be a film director's invitation: he wants Eugenio to write a film script. However, to write this script, Eugênio must spend three months isolated in a luxury hotel, without being able to go out or have contact with the world he knows. Based on this premise, Mutarelli builds a scathing critique of the publishing market and the film market — where he has been circulating for years. Bringing to Eugênio much of his own personality, the author shows how the commercial part of culture can be perverse to those who work in it.

Fernando works with his father in their singing telegram service car, called Neon Heart. His life changes after an unfortunate performance.

En 2010, la disparition du mannequin Eliza Samudio et de son fils de quatre mois a fait les gros titres au Brésil et dans le monde entier. Tous les soupçons se sont portés sur le père de l'enfant, Bruno, gardien de but et capitaine de Flamengo, et idole de nombreux supporters brésiliens. Huit personnes ont été condamnées pour l'enlèvement et le meurtre d'Eliza, mais son corps n'a jamais été retrouvé, laissant planer un voile de mystères et de contradictions sur l'affaire. Le récit du point de vue de la victime, Eliza Samudio, n'a jamais été partagé et contient des secrets choquants sur le point d'être révélés. L'enquête suit des pistes intrigantes, plongeant les spectateurs dans les sombres circonstances entourant la mort d'Eliza.

During a law firm's party, a black man and a white woman are arrested accused of murder.