Ayşe Yılmaz

Aygül is an unhappy woman who is trying to raise her four children without the help of her unemployed, no-good husband. She starts working in a factory and this becomes the igniter of her consciousness-raising process.

In the last years of the Ottoman Empire, a poor little Anatolian town named Saripinar is hit by a minor earthquake which has neither destroyed nor left it with many casualties. However, a telegraph sent to the central government exaggerates the situation and mentions that the governor of the town has been severely wounded, making the event a nationwide matter.

The film is based on 'Fikrimin Ince Gulu', a novel by Adalet Agaoglu, which depicts a first generation gurbetci/guest-worker returning home. It covers his land journey in short bursts from Germany to the Turkey's west border - and extensively from thereon to his village close to Ankara - capital of Turkey. He begins his journey purchasing a second hand yellow Mercedes - possibly his first car - using his meager savings working as a laborer. Offering deep insight into the mind of a manual laborer Bayram (Ilyas Salman) making his first trip back home, resorting to flashbacks in highlighting Bayram's motivation and experiences from his childhood right up to the events leading to his first departure from Turkey to Germany.

Man and woman's incidentally crossed roads, turns into a dead-end day by day. A new love's excitement turns into the reality of becoming estranged deeper into the relationship and realization of not ever being able to know each other well. Perhaps, in this story which ends before it starts, either the woman wears the man away, or the man wears the woman away. Or else, is every consequence in a relationship, a responsibility for both of them equally?

The lives of women in prison, as well as the adventures of their relatives who came to visit and the aftermath of those who went out.