Aziz El Fadili

Trois patientes et une infirmière d'un pavillon psychiatrique de Casablanca confrontent leurs souffrances et développent une amitié forte, échappant à elles-mêmes en de salutaires virées nocturnes qui les ramènent peu à peu à la vie. Une amitié forte se tisse entre ces femmes qui vont tout faire pour sortir de leur enfermement personnel et se viennent mutuellement en aide par tous les moyens possibles.

Henia will give anything to mend her broken past and find her mother, from whom she has been separated since the conflict between Morocco and Algeria during the Black Demonstration of 1975. After being given an opportunity to assist an elderly blind man, she accepts the offer and eventually finds herself agreeing to marry him. For Henia, this is a chance to get the necessary papers for her return to Algeria. For the old man, it’s a chance to start over. For his son, it is a disgrace.

Malik and his father Mehdi live in a funfair where they work as handymen. Mehdi gives his son five special paintings. Curious Malik is dazzled by the beauty of these works. The next day, the two accidentally find themselves in the middle of a political rally. Mehdi is brutalized in front of Malik by two cops who accuse him of propaganda against the government. Later that night, the police burst into the funfair and arrested Mehdi. Shocked, Malik begins searching for his father with the help of the other showmen, finding answers in the paintings his father left behind.

A combination of three short films tackling the subject of AIDS, a subject approached by three different directors.