Anthony Pepe

A collection of fake snuff (people REALLY being killed) clips from different directors. The producers claim it's so realistic they were actually investigated by the FBI and Crime Scene Investigators who thought one of the murders was the real thing.

Dans une société où les morts côtoient les vivants, la jeune Angela est abattue à bout portant par un petit ami jaloux et fait ainsi son entrée dans le monde des zombies. Elle doit alors trouver sa place dans un univers fait de discrimination et de violence. Car cette cohabitation n'est pas du gout de tout le monde, et les groupuscules anti-zombies sont bien décidés à exterminer ces êtres différents. Aidée par un groupe de soutien rencontré lors de réunion de Zombies Anonymes, Angela va découvrir les nombreux aléas de la vies après la mort...

Amy and Bill are on a romantic getaway when they come across an old second-hand store. Amidst the clutter, Amy unearths a beautiful antique mirror and immediately is overcome by a deep inner desire to caress and explore her luscious body in ways she never thought possible. Amy quickly buys the mirror only to discover the ghostly legend of the sexually insatiable whorehouse madame trapped inside it. Powerless to control herself, Amy indulges her naughtiest fantasies when standing before the shimmering mirror. Soon all her female friends are introduced to its seductive supernatural energy, and none of them can deny the lesbian urges that overtake their sweet young bodies, transforming them into writhing sex-machines that cannot be satisfied. But amidst the moans of pleasure, how could Amy possibly realize the terrifying consequences of her actions, and the fate the ghost in the mirror has in store for each of them. Will it be infinite ecstasy or endless erotic longing?

The traces left by the era of the samurai are still with us today. From this rich history of this ancient warrior culture comes a tale of honor, vengeance and redemption with a dark, sense of meaningless fatality. It is the origin story of a cursed vigilante, Ai, hell-bent on disposing those responsible for her clan's demise. Inspired by the great tradition of samurai cinema, Ai is an exploration of the era of the samurai and explores the themes of dormant fury for those who have lost loved ones and are driven to the point of madness with revenge.

The traces left by the era of the samurai are still with us today. From this rich history of this ancient warrior culture comes a tale of honor, vengeance and redemption with a dark, sense of meaningless fatality. It is the origin story of a cursed vigilante, Ai, hell-bent on disposing those responsible for her clan's demise. Inspired by the great tradition of samurai cinema, Ai is an exploration of the era of the samurai and explores the themes of dormant fury for those who have lost loved ones and are driven to the point of madness with revenge.

The traces left by the era of the samurai are still with us today. From this rich history of this ancient warrior culture comes a tale of honor, vengeance and redemption with a dark, sense of meaningless fatality. It is the origin story of a cursed vigilante, Ai, hell-bent on disposing those responsible for her clan's demise. Inspired by the great tradition of samurai cinema, Ai is an exploration of the era of the samurai and explores the themes of dormant fury for those who have lost loved ones and are driven to the point of madness with revenge.

Raymond « Red » Reddington, l’un des fugitifs les plus recherchés par le FBI, se rend en personne au quartier général du FBI à Washington. Il affirme avoir les mêmes intérêts que le FBI : faire tomber des criminels dangereux et des terroristes. Reddington coopérera, mais insiste pour ne parler qu’à Elizabeth Keen, une profileuse inexpérimentée du FBI. Keen s’interroge sur l’intérêt soudain que Reddington lui porte, bien qu’il soutienne que Keen est très spéciale. Après que le FBI a fait tomber un terroriste sur lequel il a fourni des informations, Reddington révèle que ce terroriste n’est que le premier de beaucoup d’autres à venir : durant les deux dernières décennies, il a fait une liste des criminels et terroristes qu'il croit introuvable par le FBI parce que ce dernier ignorait leur existence et que ce sont les plus importants. Reddington l’appelle « La Liste noire » (« The Blacklist »).