Noir So

Inspired by the sexploitation films of Russ Meyers and Michelangelo Antonioni’s Blow Up (1966), HardWerk’s latest gang bang is a slow burning subversion of cinematic tropes that finds the carnal in the camp and the sumptuous in the sleaze. For her first ever gang bang and first facial on film, lead performer Maria Riot and the filmmakers reimagined the figure of the bossy (and generally male) photographer with a much-needed shift on the gender axis, so allowing Maria to take the lead in quite literally staging her own fantasy.

In the future where men have died out and their semen is the latest commodity. It’s a teasing role-reversal in which rough sex, facials and swallowing, traditionally viewed as objectifying women, instead turn men into little more than fantasy fodder and cum dispensers for a privileged princess.

As the saying goes, ‚good things come in threes’. Such is the spirit of HardWerk’s Triptychon series, the format inspired by the classical triptych format that allows for a new perspective on porn viewing without missing an angle. After the first trilogy of Triptychons, the first instalment of the second trilogy brings us the rawness and dark aesthetics of Berlin sex clubs by choice of leading performer Jasko Fide, who desired fishnets in her first-ever gangbang. The roughness and kinkiness of this encounter are only contested by the palpable intimacy and connection of all the participants, accompanied by a live recorded soundtrack by artist Sky Deep. Triptychon IV is the darkroom where classic art meets its divine perversion.

It was only a matter of time before HardWerk released a bisexual gang bang of biblical proportions, with their ‘Creator’-centric approach landing the latest release – starring Serafina Sky – in a modern-day Eden. For the masters of sex and celluloid, the fecund fuckfest of a film is a delightfully visceral ode to forbidden fruit, carnal lust and, oh yeah, the classic porn trope of the pizza delivery guy – that is, ascended to heavenly spheres. As this allegorical Eve answers the door again and again to a growing and enraptured throng of eager Adams, succumbing to temptation becomes about as inevitable as all the other sucking and cumming to follow. With a captivating soundtrack by xaudiox, this lush encounter teems with erotic energy, fluid group dynamics and tongue-in-cheek symbolism. A little sin has never looked – or felt – sweeter.

Back for its fourth installment, HardWerk’s interview-cum-gang bang docuseries continues to probe deeper, push limits and expose even more – as in the interview, so in the fucking – which, as it turns out, is exactly how lead performer Freya likes it. Well, with a little oil, a lot of sweat, and an ass stuffed as full of cock as her mouth… With Freya no stranger to group sex, Berlin’s hedonistic kink culture or relinquishing control in the pursuit of pleasure, it’s in the intersection of all three, blindfolded and breathless, that the deviancy of ‘dare’ finds its final form – irrevocable, brutal, blissful – in ‘truth’.

True to form – and perhaps even truer to non-binary lead performer Neen Sever – the third installment of HardWerk’s hybrid gang bang/interview series Ask Me is more than an invitation, it’s a provocation: ask me, challenge me, expose me, make me. For the filmmakers, collaborating with Neen revealed new possibilities for the format, the result a ‘gonzo-meets-psychotherapy’ exploration of identity and interest, where verbal communication is paralleled in visceral expression during a vividly intense industrial gang bang. As the cameras are turned on Neen, first under a leaden Berlin sky and later in the radiance of hot lights, flushed skin, burning handprints and undivided desire, the film finds its playground in the intersection between intellect and instinct, between the psyche and the physical, between ego and alter.

Chapter III of HardWerk’s Triptychon series delivers on the numbers in lead performer Sulema Vasquez’s first ever gang bang: three cocks slowly roused to rapt attention during a tender bondage session; a screen split into one, two and three perspectives, infinite nuances, a singular desire; and one rigger and several lengths of rope to bind it all together. But – as this format proves once more, this time in its most languid and meditative installment yet – a gang bang is not math but alchemy. Where attention should be divided, pleasure is instead multiplied, where the pace slows down, intensity – intent itself – is heightened, and where twists of knots should restrict and restrain, each whisper of rope over skin speaks of something liberated, something sensual and something sacred.

Somewhere between a hallowed altarpiece and the orgiastic frenzy of The Garden of Earthly Delights, the first film of HardWerk’s ‘Triptychon’ series pays homage to the classical triptych format with an entirely new perspective on the gang bang. With the screen split into three parts, allowing multiple perspectives in time as well as space, a new type of sensual storytelling is born with no detail missed and no moment overlooked. And the right ‘composition’ was as essential to the energy of the film as it was to the aesthetic. For the filmmakers, finding the right constellation in the cast with the right organic energy ultimately made for a film – and first gang bang for lead actress Luna Silver – that was ‘intimate and filled with laughter and joyful, playful energy’. In the tangles of limbs, the eruptions of giggles and gasps, and the clever juxtapositions of context and chronology, ‘Triptychon’ turns a four-way fantasy into a single work of erotic art.

We are led – and almost literally so, leash and all, as lead performer Kleopatra appears blindfolded onscreen by the ring of a bell, the creak of an old wooden school desk, a nervous lick of the lips and three waiting figures. Hanging in the air with it all: anticipation, intention, veneration. It’s not for nothing that the filmmakers have adopted a slower pace for this intense gangbang – there’s a meditative quality to the echoing spanks and answering whimpers, to the push and the pull, to effortless dance of desire between the four participating performers; an absolute presence of mind and an absolute presence of flesh. As with the studio’s previous Triptychon film, the composition finds its own seamless choreography across multiple perspectives, so creating stunning juxtapositions between pain and pleasure; between a hand tightened around a throat and the easy laughter in each moment of disarming tenderness; between the polish of ‘pre’ and the primal of ‘right now’…

The yoga teacher and the handymen. 2 Bang, the new format from HardWerk studio, reinvents the threesome following the aesthetics and humor of their classic line. 2 Bang Ana B. plays with porn tropes, this time a visit of two handymen who should repair the TV. An interference ignites the spark of lust, and our protagonist and bossy yoga teacher ANA B. decides to teach the handsome handymen a lesson.

I think there is someone here. On a dark night, Lindsey Cruz speaks over the phone with her friend. She tells about her nightmares, she is hearing noises, she is scared. It seems her home is haunted. Haunted by two sex demons, Noir So and Romeo, who will take Lindsey and fulfil her darkest fantasies. Where horror movie meets porn, 2Bang Lindsey Cruz brings us spit, deep throat, a lot of fucking and possibly the hottest scary film scene of all time.

The Banging of Morea Black marks the second installment in our celebrated "The Banging Of" series—a unique blend of documentary and high-intensity action.

Real, Raw and stripped down: HardWerk’s latest format, ‘The Banging Of’, offers up the studio’s most intimate take on hardcore porn yet. Featuring lead performer Lindsey Cruz in her first-ever gangbang, the captivating new two-p

There are three constants in life: death, taxes and – let’s face it – mainstream porn narratives. In their latest release, HardWerk doubles up on the subversion with a BDSM-centered gang bang that disrupts, deconstructs and intentionally queers the blow-by-blow(job), paint-by-numbers porn plot. The result is an ever-shifting and deliriously dirty cinematic dungeon dreamscape that is both surreal and, according to the filmmakers, a little truer to life. Starring the irrepressible June Fontaine, its non-linear structure is inspired by frenzied dark room encounters and the morning-after piecing together of memories, reliving it not moment by moment but in sweat-soaked snapshots and fragmented ecstasy.

The doors of perception are flung wide open in HardWerk?s trippiest gang bang yet, a visually psychedelic and viscerally psychosexual homage to Fear and Loathing in Las Vegas. However, in this version, it?s a female protagonist, performer Bebe Melkor-Kadior, hunting for answers, experiences and the ultimate high in modern-day Berlin ? a hunt that brings her to the apartment of Las Bangers. Utilizing parallel chronologies and that characteristic common to all the most arousing of pleasures, the film places its seven performers firmly in the hallucinatory space between fantasy and ecstasy, distorting not only time and space but notions of objectivity and subjectivity, ego and id, mind and body, and known and unknown for a kaleidoscopic and carnal trip not through but on a consciousness-altering dose of desire.