Oscar Lewenstein

They're young, unemployed and on the march - from Glasgow, Liverpool and Swansea to London.

Follows the creation of Lindsay Anderson's The White Bus (1968), from pre-production to the shoot and in post.

In the hazy aftermath of World War III, the fallout from a 'nuclear misunderstanding' is producing strange mutations amongst the survivors, and the noble Lord Fortnum finds himself transforming into a bed sitting room.

A study of absurdity in a suburban family: father recreates the Old Bailey in the living room while the son teaches speak-your-weight machines to sing in the attic.

A study of absurdity in a suburban family: father recreates the Old Bailey in the living room while the son teaches speak-your-weight machines to sing in the attic.

A study of absurdity in a suburban family: father recreates the Old Bailey in the living room while the son teaches speak-your-weight machines to sing in the attic.

An opera singer, dressed in full costume and dress, must navigate through the busy city streets to get to the theater in time for his performance. Filmed for the shelved portmanteau film 'Red, White and Zero' in 1967.

Composed of three shorts – Ride of the Valkyrie, The White Bus, and Red and Blue – from three of Britain’s most-celebrated directors - Lindsay Anderson, Peter Brook, and Tony Richardson. Comic legend Zero Mostel stars as an opera singer (in full costume) navigating the London transport network as he attempts to reach Covent Garden in 'Ride of the Valkyrie'. Scripted by Shelagh Delaney, 'The White Bus' blends realism, drama, and poetry as a despondent young woman travels home to the North of England. And Vanessa Redgrave stars in Tony Richardson’s romantic reverie and musical featurette 'Red and Blue'. Produced in 1967, but ultimately shelved.

A despondent young woman travels home to the North of England.

A despondent young woman travels home to the North of England.

Rita and Sue are two teenagers living on a run-down council estate in Bradford, who both share a job babysitting for Bob and Michelle's children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence.