João Abreu

"When We Dead Awaken" is an experimental fabulation about the Fairies' Tree. This tree is mentioned several times in Joan of Arc's trial. Imagining it multiplied in space and time, this film ritualizes this historical element, reappropriating it and turning it into a symbol of gender dissidents prosecuted by the Inquisition.

Ceramic dildos intended to go beyond cis-normative sex toys; the forbidden love of Josefa and Maria during the Inquisition; a singing narrator… Such are the elements that make up Dildotectonics. A masterful blend of time and place, this film gives free rein to a search for pleasure that is free from all normative constraints.

A marine biologist is leading a project for the mapping of one of the deepest areas of the North Atlantic Ocean. Her project depends on the controversial use of a developing biotechnology that works directly with a species of krill that inhabits at low depths. Throughout months of observation and communication, the marine biologist develops a relationship of friendship and kin with the krill swarm, while observing their movements through the nano-cameras incorporated in their bodies -- slowly moving through the deeper zones of the Ocean.

In the middle of the Atlantic, Helena rekindles an old friendship with Ceu, an astrophysicist who recently relocated to the Azorean island of Santa Maria to study exoplanets. Caught between the island’s geological inheritance and the vastness of the cosmos, the two friends reconcile with the various space exploration infrastructures that are stationed on the island. A work of science-fiction inspired by the various space resources currently existing in Santa Maria, See You Later Space Island is a loose tale of friendship and endurance.

João is an immaterial girl, refusing to be anything other than what she wants to be, regardless of her age, gender or race. When Tiago looks at her it’s like she’s always a different person. Literally. But when their relationship becomes too real, he will have to confront the prejudices that he doesn’t even know he has, to understand the world that she created for herself.

Laura is on a vacation with her friends for the weekend in a luxurious and isolated house. The group decide to do a hallucinogenic drug and seem to become absorbed by their nature surroundings. However, after a strange encounter at night, Laura is having trouble facing reality.

Three Portuguese queer short films brought together in a program that charts an alternative path through converging universes, forming a new constellation of desires, fears, and struggles. Entre a Luz e o Nada by Joana de Sousa, Sob Influência by Ricardo Branco, and Uma Rapariga Imaterial by André Godinho are three cinematic gestures that explore techniques and narratives from science fiction to horror, seeking new ways to view and imagine other possibilities. After traveling through various festivals, these films can now be experienced together, in a mutual exploration of mysterious worlds, unsettling dreams, and singular visions.