Bogdan Taloș

In an apparent idyll high in the Swiss Alps, a secluded village society prepares for the next wedding. Amina is to be the lucky one this time. The groom Elvino, however, soon turns his attention back to his former wife because Amina sleepwalks into the bed of a stranger who has just arrived. Count Rodolfo, son of the former lord of the manor and travelling incognito, cannot convince the villagers of his innocence nor that of Amina, until she sleepwalks again and the collective belief in the supernatural is put to the test. Deutsche Oper am Rhein’s new production is conducted by bel canto specialist and Principal Guest Conductor Antonino Fogliani and is directed by Johannes Erath, whose poetically subtle stagings have been seen in Munich, Frankfurt, Vienna, Palermo and beyond.

After a victorious battle, the witches predict a crown for the Scottish commander Macbeth. In response to the witches’ prophecies, Macbeth’s thirst for power is fuelled dangerously by his wife and they decide to murder their king Duncan in his sleep. With this act of blood, they unleash an unprecedented spiral of violence that will lead them straight into the abyss. Macbeth is one of William Shakespeare's most demonic works. In order to capture the supernatural atmosphere of the original play, the ardent Shakespeare admirer Giuseppe Verdi composed closely to the text and boldly experimented with new timbres. In a remarkable stage design by Henrik Ahr, which resembles a huge cauldron, Michael Thalheimer focuses his production on Macbeth, Lady Macbeth and the witches. Verdi specialist Antonino Fogliani conducts a stellar production, in which the opulent choruses repeatedly provide musical highlights.