Σοφία Κακαρελίδου

L'armée grecque est sur le point de s'embarquer pour une grande bataille, mais les vents refusent de souffler. Leur chef, le roi Agamemnon, cherche à mieux nourrir ses hommes, mais tue accidentellement un cerf sacré. La punition des dieux, le sacrifice de sa fille Iphigénie.

A completely euphemistic black comedy or the worst film you've ever seen, Dimitris Piata's feature directorial debut in the cinema is the triumph of bad taste over "whatever".

Composed of two independent, medium-length segments set against the backdrop of the early 1980s Greek society, "Peri Erotos" pivots around the unforeseen complications of eternal Eros. Starting with "Chrisanthi", the female narcissism--paired with fetishism and latent homosexuality--gives birth to emotional impasses, unchanneled sexual energy, and ultimately, erotic violence. Then, in "Iason", a young man torn between two women struggles to find his feet in an ever-changing game of twisted love. As unrestrained male passion takes over, the man attempts to reconcile the conflict between life and death and cope with rejection and self-destructive masochistic tendencies.