Dan Bodan

For most of our history, the ocean has been regarded as, if not a barrier, an adversary: something to be simultaneously exploited and feared. Ingo Niermann asks us to rethink our response to the fearful oceans, in hope of finding its hidden soul and reaching an understanding with it. In Sea Lovers Niermann offers us a whole chest of new models for reading, touching and feeling the sea. As the seaside theme parks of the early 20th century offered us a safe encounter with the novel and unsettling technologies of the age, could an underwater amusement park allow us closer interpersonal connection with other lifeforms? And just as the domestication of animals into emotional and affective companions made the forests ‘safe’ for our comprehension, could dolphins or cephalopods become our guides to the watery depths that were once our home? Could the salty touch of the ocean itself soften us towards accepting its wild and all-encompassing embrace?

A father, afraid of his wife, is trying to prove himself not guilty of smoking in front of his son who soon explored a cigarette packet from his pocket, and he starts threatening the father to disclose the matter to his wife.

Chilling as the stuff of existential tragedy. Ex-lover Alex becomes a mini drone, the new lover is a stuntman; Timur can’t escape his mother and his drug problem, nor can Nicole her father’s ashes. An urban indie chamber drama with delicate synth sounds.