Pina Bausch

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Parle avec elle
7.6

Parle avec elle

Mar 15, 2002

Parle avec elle
2002 112 min 1307 vues
Benigno, un jeune infirmier, et Marco, un écrivain d’une quarantaine d’années, se rendent, chacun de son côté, à un spectacle de Pina Bausch, Café Müller. Ils sont assis l’un à côté de l’autre. La pièce est si émouvante que Marco éclate en sanglots. Apercevant les larmes de son voisin, Benigno aimerait lui faire part de son émotion, mais il n’ose pas. Quelques mois plus tard, les deux hommes se retrouvent dans d’autres circonstances, à la clinique El Bosque, où travaille Benigno. Lydia, la petite amie de Marco, torero professionnel, est plongée dans un profond coma suite à un accident survenu lors d’une corrida. Benigno, quant à lui, est au chevet d’Alicia, une jeune danseuse également dans le coma. Lorsque Marco passe à côté de la chambre d’Alicia, Benigno, sans hésiter, s’approche de lui. C’est le début d’une grande amitié quelque peu mouvementée.
Drama
Et vogue le navire
7.2

Et vogue le navire

Oct 07, 1983

Et vogue le navire
1983 132 min 146 vues
En 1914, le port de Naples est le théâtre d'événements peu banals. La haute société européenne, artistes et politiciens de renom, s'apprête, au cours d'une croisière, à disperser les cendres de leur diva adulée. Les premières manifestations de la guerre vont frapper de plein fouet les insouciants passagers...
Comedy
Pina
7.4

Pina

Feb 24, 2011

Pina
2011 106 min 243 vues
Pina est un film pour Pina Bausch de Wim Wenders. C'est un film dansé en 3D, porté par l’Ensemble du Tanztheater Wuppertal et l’art singulier de sa chorégraphe disparue à l’été 2009. Ses images nous convient à un voyage au cœur d'une nouvelle dimension, d’abord sur la scène de ce légendaire Ensemble, puis hors du théâtre, avec les danseurs, dans la ville de Wuppertal et ses environs - cet endroit dont Pina Bausch a fait son port d’attache durant 35 ans et où elle a puisé sa force créatrice.
Documentary
Die Generalprobe
6.3

Die Generalprobe

Nov 25, 1980

Die Generalprobe
1980 90 min 3 vues
An exhilarating, essayistic documentary about the 1980 festival of experimental theatre in the French city of Nancy. Werner Schroeter's favourite of his own films.
Documentary
Un jour Pina a demandé...
5.5

Un jour Pina a demandé...

Jul 07, 1989

Un jour Pina a demandé...
1989 57 min 4 vues
La cinéaste a suivi la célèbre chorégraphe de ville en ville et de festival en festival et propose des fragments de spectacle, des portraits de danseurs, la vie d'une troupe.
Documentary
Café Müller
1

Café Müller

May 20, 1985

Café Müller
1985 49 min 1 vues
Dans Café Müller, elle a travaillé sur son passé de jeune fille dans le café de ses parents en Allemagne. La fluidité du haut du corps balloté entre en collision avec des changements de tonus. La danseuse reste imperturbable par rapport à ce qui se passe autour d'elle, elle suit sa ligne tracée. Les personnages se croisent, nos souvenirs personnels interfèrent, et de la scène se dégage l'émotion intense de la solitude.
Music
Pina Bausch
1

Pina Bausch

Dec 09, 2006

Pina Bausch
2006 43 min 1 vues
Documentary about German choreographer Pina Bausch.
Documentary
Was tun Pina Bausch und ihre Tänzer in Wuppertal?
1

Was tun Pina Bausch und ihre Tänzer in Wuppertal?

Feb 25, 1983

Was tun Pina Bausch und ihre Tänzer in Wuppertal?
1983 115 min 1 vues
Wuppertal is a drizzly, industrial city on the Rhine and one immediately wonders why Pina Bausch and her avant-garde dance troupe have settled there. A socially engaged documentarian, Wildenhahn is also perplexed by this issue and spends considerable time trying to place Bausch in a context outside of the aesthetic. Still, the dance company's daily life and the excruciating rehearsal and performance schedule is solidly captured. The film begins cleverly: a dance critic offers sagacious comments on ballet dancers finishing their careers at mid-thirty just when, according to Bausch, the "aspects of misery, suffering and fear of death should become an integral part of a dancer's spiritual and psychological make-up." Wildenhahn's camera glides over the dancers' bodies as Bausch leads them through their paces, a consummate teacher. Leaving behind rehearsals of "Bandoneón" and "Walzer," Wildenhahn then ventures out into the streets of Wuppertal searching for the dance of the common people.
Documentary
Die Klage der Kaiserin
5

Die Klage der Kaiserin

Feb 17, 1990

Die Klage der Kaiserin
1990 103 min 4 vues
This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.
Documentary
Die Klage der Kaiserin
5

Die Klage der Kaiserin

Feb 17, 1990

Die Klage der Kaiserin
1990 103 min 4 vues
This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.
Documentary
Die Klage der Kaiserin
5

Die Klage der Kaiserin

Feb 17, 1990

Die Klage der Kaiserin
1990 103 min 4 vues
This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.
Documentary
Dancing at Dusk – A moment with Pina Bausch’s The Rite of Spring
1

Dancing at Dusk – A moment with Pina Bausch’s The Rite of Spring

Jun 16, 2020

Dancing at Dusk – A moment with Pina Bausch’s The Rite of Spring
2020 40 min 1 vues
Pina Bausch’s iconic choreography to The Rite of Spring danced on the beach in Toubab Dialaw, Senegal. Filmed as the world descended into lockdown, this recording captures the last rehearsal of a specially assembled company of 38 dancers from 14 African countries, and documents a unique moment in their preparations for an international tour that would go on to be cancelled by COVID-19.
Documentary
Café Müller
1

Café Müller

May 20, 1985

Café Müller
1985 49 min 1 vues
Pina Bausch’s iconic choreography to The Rite of Spring danced on the beach in Toubab Dialaw, Senegal. Filmed as the world descended into lockdown, this recording captures the last rehearsal of a specially assembled company of 38 dancers from 14 African countries, and documents a unique moment in their preparations for an international tour that would go on to be cancelled by COVID-19.
Music
Kontakthof - Ein Stück von Pina Bausch
1

Kontakthof - Ein Stück von Pina Bausch

Jun 28, 2014

Kontakthof - Ein Stück von Pina Bausch
2014 137 min 1 vues
In many ways, "Kontakthof" could be seen as the sum of Pina Bausch's choreographies: the performance takes place at a single location. The high room is completely empty and open to the public - like a showcase. The other three sides are furnished with long rows of chairs, like in a dance school. Men and women sit next to each other. Little by little they rise and all sorts of encounters ensue, some cautious and tentative, others wild and impetuous. Sometimes there is a single couple on the dance floor, sometimes the full cast of 30 dancers. Bausch created this piece with her ensemble in 1978. "Kontakthof" is one of four choreographies by Pina Bausch that the director Wim Wenders recorded in full for his film "Pina - Tanzt, tanzt, oder wir los sind" ("Pina - Dance, Dance, Otherwise We Are Lost").
Kontakthof - Ein Stück von Pina Bausch
1

Kontakthof - Ein Stück von Pina Bausch

Jun 28, 2014

Kontakthof - Ein Stück von Pina Bausch
2014 137 min 1 vues
In many ways, "Kontakthof" could be seen as the sum of Pina Bausch's choreographies: the performance takes place at a single location. The high room is completely empty and open to the public - like a showcase. The other three sides are furnished with long rows of chairs, like in a dance school. Men and women sit next to each other. Little by little they rise and all sorts of encounters ensue, some cautious and tentative, others wild and impetuous. Sometimes there is a single couple on the dance floor, sometimes the full cast of 30 dancers. Bausch created this piece with her ensemble in 1978. "Kontakthof" is one of four choreographies by Pina Bausch that the director Wim Wenders recorded in full for his film "Pina - Tanzt, tanzt, oder wir los sind" ("Pina - Dance, Dance, Otherwise We Are Lost").
Walzer
1

Walzer

Jan 01, 1986

Walzer
1986 56 min 1 vues
Walzer is an excerpt taken from a work by the same name. Pina Bausch premiered it in the summer of 1982 at the Carré Theatre in Amsterdam and filmed it in the autumn of the same year in the theatre of Wuppertal. When in 1986 the German radio station Norddeutscher Rundfunk in Hamburg asked for a recording, Pina Bausch selected and edited the material into the film Walzer.
Music
AHNEN ahnen
1

AHNEN ahnen

Jan 01, 1987

AHNEN ahnen
1987 78 min 1 vues
While Pina Bausch was preparing her film The Plaint of the Empress in 1987, the French, British and German co-producers were waiting for a script. No script: no film. That is how the film industry saw things.The discussions dragged on but eventually the TV stations accepted the idea of shooting the film without a script. Someone had the idea of making a "test film" showing what the results of working in Pina Bausch's way could be. That's how this film was born - a documentary on the rehearsals for AHNEN, a piece she was developing at the time. For twenty five years the film stayed in the archives; today it emerges as an extraordinary document. This is how Pina Bausch and her company worked. This is how this work was created, that touched so many people continous to do so today.
Palermo Palermo - Ein Stück von Pina Bausch
1

Palermo Palermo - Ein Stück von Pina Bausch

Dec 19, 1989

Palermo Palermo - Ein Stück von Pina Bausch
1989 143 min 1 vues
As debut of the film series, video footage of the piece Palermo Palermo, which was taken shortly after the piece’s premiere in 1989, has been digitally restored. Thanks to a grant from the Arts Foundation of North Rhine-Westphalia and the Cultural Foundation of the German Federal States, the material produced by Metrovision was acquired from the publishing house L’Arche Éditeur and has now been cut into a film version by the Pina Bausch Foundation.
Music
Le Sacre du Printemps
1

Le Sacre du Printemps

Feb 23, 1978

Le Sacre du Printemps
1978 36 min 1 vues
...Dancing to the border of exhaustion. Dressed in little, the black earth sticks to their skin. Yes, to the point where it hurts. A document of early Pina Bausch, an authentic recording of one of the most outstanding choreographies of the 20th century.
Music
Le Sacre du Printemps
1

Le Sacre du Printemps

Feb 23, 1978

Le Sacre du Printemps
1978 36 min 1 vues
...Dancing to the border of exhaustion. Dressed in little, the black earth sticks to their skin. Yes, to the point where it hurts. A document of early Pina Bausch, an authentic recording of one of the most outstanding choreographies of the 20th century.
Music
Bambi-Verleihung
9

Bambi-Verleihung

Nov 16, 2018

Bambi-Verleihung
2018 min 1 vues
The Bambi, often called the Bambi Award and stylised as BAMBI, is a German award presented annually by Hubert Burda Media to recognize excellence in international media and television to personalities in the media, arts, culture, sports, and other fields "with vision and creativity who affected and inspired the German public that year", both domestic and foreign. First held in 1948, it is the oldest media award in Germany. The trophy is named after Felix Salten's book Bambi, A Life in the Woods and its statuettes are in the shape of the novel's titular fawn character. They were originally made of porcelain until 1958, when the organizers switched to using gold, with the casting done by the art casting workshop of Ernst Strassacker in Süßen.
Reality