Susan Leong

Slipstream est un film d'aventure de science-fiction post-apocalyptique de 1989. L'intrigue met l'accent sur l'aviation et contient de nombreux thèmes de science-fiction communs, tels que se dérouler dans un futur dystopique dans lequel le paysage de la Terre a été changé et est balayé par des tempêtes de grande puissance. Il existe également de nombreux sous-complots, tels que le libre arbitre et l'humanité parmi l'intelligence artificielle.

After restaurateur Sam Wong dies in a telephone booth after making a call, law clerk Elaine Choi is tasked with executing his will. In order for the will to be valid, it needs to be signed by its recipients, but Choi finds that each of them are reluctant to do so.

Based on real-life experiences, Tenko remains one of the most fondly remembered and acclaimed BBC dramas of the early 1980s. It follows a group of women, formerly comfortably well-off ex-pats living in Singapore, as they are captured by the Japanese during World War II.

Victoria Wood was a series of six one-off situation comedies written by and starring Victoria Wood in 1989, who took a break from sketches, two years after her very successful and award winning series Victoria Wood As Seen on TV. Wood appeared as "Victoria", a fictionalised version of herself, in all six episodes - in The Library it was said that she "worked in TV" and in Over To Pam characters appeared to recognise her celebrity and in the final episode, Staying In, she was taken to a party to perform as a comedienne and was expected to go through her stand-up 'routine'. Her character often broke the 'fourth wall' of TV and spoke directly to the camera, but not in every episode. Bored with the sketch format and with a yearning to recapture previous success as a playwright, Wood came up with six individual sitcoms as a compromise. She admitted to finding the writing difficult. Though Wood was written as the central character, other lead parts were written with specific actresses in mind, like Julie Walters and Una Stubbs. "I want people to like me and the people who play my friends, and not everybody else" she said. Screenonline says of the shows "Modest in ambition and scale but rich in wit and acuity, the six playlets showcase Wood's eye for human foibles and her distinctively eccentric characters.".