Rok Juričić

It is 1995. Mahir is a 38-year-old refugee from Bosnia, with unknown history, living in the hotel Pula, modified into a refugee centre. His days are monotonous and empty, and his history is unknown. A spark of life comes when Una, a young girl from Pula, is drawn to him. Until the past catches up with him.

Sitting in a restaurant representing the waiting room to the other world, a tired old man watches the patrons who represent him and his immediate family during the important moments of his life. Moments that have impacted him and the family, and have turned him into a man he was at the end of his life. The old man is forced to look these events in an objective way, observe them from the sidelines, as the judge and jury of a tragic life filled with regret, bitterness, and bad decisions. At a certain point, it becomes clear that the old man has actually died and is watching his own life.

Talking bunnies, dancing harlequins and charming songs inhabit the memories of infancies. Visual artist Igor Schiller stages a performance to immerse us in his childhood world, diving into the depths of his remembrances affected by a bloody war. Surrealistic scenes and choreographies emerge in the playground of memory, with its joys, fears and confines to be demolished.

Avery Graves, agente de la CIA, est victime de chantage de la part de terroristes l'obligeant à trahir les USA pour sauver son mari kidnappé. Isolée, elle se tourne vers d'anciens contacts pour récupérer les renseignements demandés par les ravisseurs. Avery se lance alors dans une course mortelle pour remettre la rançon qui pourrait déclencher une crise mondiale.