Rita D’Albert

The world has ended. All that is left behind are individual beauty cults, groups of girls seeking safety and identity in numbers. Basing their bond on hair color and giving themselves strangely evocative gang names, the blond Phayrays (King Kong), the brunette Satanas (Faster Pussycat, Kill! Kill!), and the wicked, redheaded Tempests (as in Storm, the stripper) are constantly battling the brutish cavemen roaming the afterworld ruins and looking for potential dye job converts. Only one group tries to incorporate all follicle factions. They are the Superstarlets.

Athey and Pittakos were inspired by the inclusion of a short Pasiphäe video they made for their multimedia performance Acephalous Monster. Wanting to expand on the idea in a short film that could stand alone, but also start thinking about how it could fit in a new work, The Asclepeion. And to expand on the concept of possession, compulsion, abjection, realization.. this is archetype work. Hermes interpretation of the enchanted womb of a cow, this myth is truly the earliest reference of a glory hole being used to deceive and coerce, in this case, the seed of Poseidan’s bull.

Athey and Pittakos were inspired by the inclusion of a short Pasiphäe video they made for their multimedia performance Acephalous Monster. Wanting to expand on the idea in a short film that could stand alone, but also start thinking about how it could fit in a new work, The Asclepeion. And to expand on the concept of possession, compulsion, abjection, realization.. this is archetype work. Hermes interpretation of the enchanted womb of a cow, this myth is truly the earliest reference of a glory hole being used to deceive and coerce, in this case, the seed of Poseidan’s bull.