Konstantin Krimmel

À Munich, Nele, une jeune Estonienne passionnée de chant lyrique, travaille dans un centre d'appel et le soir tient le vestiaire de l'Opéra national. Vivant dans une colocation étudiante, elle se tient à l’écart et préfère rester seule. Mais un jour, un jeune pickpocket danseur de rue lui dérobe son portefeuille. Cette rencontre va bouleverser son quotidien morose et lesté d’un tragique secret...

Nothing is for forever. And people make mistakes. And yet, letting go is the hardest challenge when you're burning with love for the first time and want nothing more than to hold on to it forever. But can you feel as intensely forever as you did in the beginning? Così fan tutte in Benedict Andrews’s new production deals with the exuberant feelings that drive young love in the rush of hormones. Sometimes it touches the fringes of human relationships, where one threatens to lose oneself in the search for intensity. Thus the two young couples, who think they have already discovered the essence of true love, meet two experienced counterparts in Don Alfonso and Despina. An experiment begins in which the men put the fidelity of their partners to the test by playing a game of disguise. What remains is disillusionment. And the possibility of a painful realization: only freedom and the longing for union are certain. Disappointment and rejection are part of the game – because no love is ideal.